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Milián's inventive use of romanesco (Roman dialect) made him a cult performer in Italy. Bruno Corbucci , the director of many of these films commented, "At the cinemas as soon as Tomás Milián appeared on the screen, when he made a wisecrack and in the heaviest situations, then it was a pandemonium, it was like being at the stadium."
Milián's inventive use of romanesco (Roman dialect) made him a cult performer in Italy. Bruno Corbucci, the director of many of these films commented, "At the cinemas as soon as Tomás Milián appeared on the screen, when he made a wisecrack and in the heaviest situations, then it was a pandemonium, it was like being at the stadium."
Milian's inventive use of romanesco (roman dialect) made him somewhat of a cult performer in Italy, even though his later films were critically panned. Bruno Corbucci the director of many of these films commented, "At the cinemas as soon as Tomás Milian appeared on the screen, when he made a wisecrack and in the heaviest situations, then it was a pandemonium, it was like being at the stadium."
Tomas Milian. Actor: Traffic. Tomas Milian, an American actor born in Cuba; was trained at the Actors Studio. He appeared in a few plays on Broadway, as well as in a show by Jean Cocteau in Spoleto. Mauro Bolognini noticed him and that was the starting point of a rich cinematographic career in Italy, where he played in all manner of genres. He interpreted a mad psychopath in The Ugly...
Free Hand for a Tough Cop, or Il trucido e lo sbirro if you were Italian, was one of a series of collaborations between director Umberto Lenzi and star Tomas Milian, often tough police dramas that were extremely popular in Italy and latterly picked up a strong cult following abroad thanks to their uncompromising nature, frequent bursts of violence, general air of bad taste and scenes that few ...
- Umberto Lenzi
- 7 (from 1 vote)
- Action, Thriller
- 1976
Mar 22, 2017 · Milián's inventive use of romanesco (Roman dialect) made him a cult performer in Italy. Bruno Corbucci , the director of many of these films commented, "At the cinemas as soon as Tomás Milián appeared on the screen, when he made a wisecrack and in the heaviest situations, then it was a pandemonium, it was like being at the stadium."
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Milian's inventive use of romanesco (roman dialect) made him somewhat of a cult performer in Italy, even though his later films were critically panned. Bruno Corbucci the director of many of these films commented, "At the cinemas as soon as Tomás Milian appeared on the screen, when he made a wisecrack and in the heaviest situations, then it was a pandemonium, it was like being at the stadium."
