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French neoclassical, historical, and genre painter
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- Marie-Guillemine Benoist, born Marie-Guillemine Laville-Leroux (December 18, 1768 – October 8, 1826), was a French neoclassical, historical, and genre painter.
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Marie-Guillemine Benoist, born Marie-Guillemine Laville-Leroux (December 18, 1768 – October 8, 1826), was a French neoclassical, historical, and genre painter. Biography. [] Benoist was born in Paris, [ 1 ] the daughter of a civil servant.
- Training and Self-Fashioning
- The Louvre Salon
- Portrait de Madeleine
- “Successes” and Legacy
- Conclusion: Narrative Scenes Reconsidered
Benoist has featured in feminist art historical conversations from their inception. Her work appeared in Linda Nochlin and Ann Sutherland Harris’s pioneering exhibition Women Artists: 1550–1950 (1976), and she has slowly but indelibly entered twenty-first century discourse. She was born in Paris, where her father was a royal administrator for the a...
Yet some changes were on the horizon. In 1791, in the spirit of the French Revolution, the Louvre Salon became open to all exhibitors, regardless of sex or Academic status. Benoist lost no time. She was one of twenty-two women who exhibited at that year’s show, and The Farewell of Psyche to her Family (fig. 1) was one of three narrative canvases th...
Still, Benoist became a Salon staple, exhibiting a combination of thirty-four narrative and portrait works through 1812. This included a now-lost depiction of Sappho in 1795 (fig. 6), the year that she acquired a coveted artist’s studio in the Louvre. It also included her Portrait d’une négresse in 1800 (fig. 7). Lately, this work has been renamed ...
Benoist’s own outsider status is, in fact, a product of later times. Upon earning a medal at the Salon of 1804 (where she exhibited five portraits, including fig. 8), Benoist found herself with a stream of commissions from France’s new Emperor, Napoleon Bonaparte. By 1812, she had completed at least ten official portraits of the imperial family. Th...
As Benoist’s portraits continue to be commended for their Davidian qualities and imperial sitters, the narrative paintings that she steadily exhibited also warrant renewed attention. Increasingly, Benoist selected subjects to which her audience, exhausted after years of Revolutionary violence and Napoleonic unrest, could relate. In 1804, for instan...
Marie-Guillemine Benoist, born Marie-Guillemine de Laville-Leroux (December 18, 1768 – October 8, 1826), was a French neoclassical, historical and genre painter. She was born in Paris, the daughter of a civil servant.
- French
- December 18, 1768
- Paris, France
- October 8, 1826
Portrait of Madeleine, also known as Portrait of a Black Woman (French: Portrait d'une femme noire or Portrait d'une negresse), is an oil-on-canvas painting by the French artist Marie-Guillemine Benoist, created in 1800.
Mar 13, 2012 · The career of Marie Guilhelmine Benoist (Paris, 1768–Paris, 1826) was profoundly entwined with the politics of the Revolutionary era.
Marie-Guillemine Benoist, a trailblazing French painter of the Neoclassical era, defied the conventions of her time to create art that resonated with grace, intellect, and social commentary. Born on December 18, 1768, in Paris, Benoist’s life and works navigated the turbulent waters of French history, leaving an indelible mark on the art world.
Biography. French woman painter, née Marie-Guillemine Leroulx-Delaville. She first studied with Elisabeth Vigée-Lebrun in 1781 and in 1786 worked in the studio of Jacques-Louis David. In 1784 she met the poet Charles-Albert Demoustier (1760-1801), and the figure of Emilie in his Lettres de la mythologie represents Benoist.
