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“Mood Indigo,” “Black and Tan Fantasy,” “Creole Love Call,” and “Rockin’ in Rhythm” were among the Ellington classics first performed by the band during its Cotton Club years. Cab Calloway and his orchestra took over as house band in 1931; they too had a long and successful run at the club.
- The Editors of Encyclopaedia Britannica
Lena Horne (Leona Laviscount) began at the Cotton Club as a chorus girl at the age of sixteen, and sang "Sweeter than Sweet" with Calloway. Dorothy Dandridge performed at the club while part of the Dandridge Sisters, and Coleman Hawkins and Don Redman played at the club as part of Henderson's band.
Nov 21, 2023 · Find out about the Cotton Club, a Harlem establishment of the 1920s. Explore the Cotton Club’s history, as well as its performers and role in the Harlem Renaissance. Updated: 11/21/2023.
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- The Cotton Club was an all-white cabaret in Harlem that introduced many white audiences to jazz and blues music. It offered many Black creatives op...
- Owney Madden opened the Cotton Club to sell bootleg liquor during prohibition and to make money off of a white clientele that was eager to travel t...
- Langston Hughes was able to go to the Cotton Club once he had achieved a sufficient level of fame such that the venue could "overlook" his Blacknes...
- The Cotton Club was unusual in that it was an all-white venue in a predominantly Black neighborhood, but the staff and performers were Black. The e...
As late as 1984, Francis Ford Coppola’s pop rendering of the Cotton Club in his film of the same name stars Richard Gere as a white coronet player. In reality, the Cotton Club had no white performers.
Nov 16, 2020 · Ellington, Calloway, and Louis Armstrong returned to perform at the club in later years. Lena Horne (Leona Laviscount) began at the Cotton Club as a chorus girl at the age of sixteen, and sang “Sweeter than Sweet” with Calloway.
Jun 27, 2023 · The Cotton Club became a radical space for musicians to experiment with jazz, blues, swing and big band music. The house orchestra was led by the iconic Duke Ellington from 1927 to 1930, whose inimitable spirited compositions, arrangements and performances are now recognized as the stuff of legend.
He positioned The Cotton Club to present first-class, authentic black entertainment to a wealthy, whites-only audience. He catered to Manhattan’s young ‘caviar and martini’ crowd, out looking for a buzz of illicit pleasure wrapped in safe and suitably elegant surroundings.
