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- In the 1930s, the Mexican government actively promoted ranchera, fostering the production of musical films known as comedias rancheras, featuring acclaimed radio personalities such as Jorge Negrete, Pedro Infante and José Alfredo Jiménez. By the 1950s, ranchera had solidified its status as Mexico’s most popular music genre.
worldmusiccentral.org/2024/04/01/rancheras-a-passionate-traditional-mexican-music-genre/
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Ranchera (pronounced [ranˈtʃeɾa]) or canción ranchera is a genre of traditional music of Mexico. It dates to before the years of the Mexican Revolution. Rancheras today are played in the vast majority of regional Mexican music styles.
Jun 26, 2024 · Rancheras, as a distinct genre, began to take shape in the early 20th century. However, its roots can be traced back to the folk traditions and regional music of rural Mexico. The word “ranchera” itself is derived from “rancho,” reflecting its origins in the countryside and the music of the ranches.
Beginning in the 1930s, Mexico produced hundreds of comedias rancheras, films that presented the nation with a studio packaged vision of rural life along with the humor and music. By 1950, ranchera music had become the most popular music genre in Mexico.
Jun 30, 2024 · Ranchera music, a genre deeply embedded in the cultural fabric of Mexico, has a rich history that dates back to the 19th century. Originating from the rural areas, ranchera music was initially a form of expression for the working class, particularly the rancheros, or ranch workers.
Apr 1, 2024 · By the 1950s, ranchera had solidified its status as Mexico’s most popular music genre. Ranchera compositions typically incorporate rhythms inspired by waltz, polka, and bolero styles as well as guitars from the Spanish tradition.
Oct 18, 2012 · Ranchera literally translates to "from the ranch," and first began appearing during the Mexican Revolution around 1910.
They were sung in Mexico between "acts of nation"-centered plays, and became quite commercially oriented after 1910. The lyrics of the rancheras are quite straightforward, with the last notes of the verses, lines, and stanzas being extended by the performers.
