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Late 1940s and 1950s
- The Dixieland revival in the late 1940s and 1950s was formed in reaction to the orchestrated sounds of the swing era and the perceived chaos of the new bebop sounds (called "Chinese music" by Cab Calloway).
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The Dixieland revival music during the 1940s and 1950s gained a broad audience that established traditional jazz as an enduring part of the American cultural landscape, and spawned revival movements in Europe.
- Louis Armstrong
- Sidney Bechet
- The Original Dixieland Jazz Band
- Bix Beiderbecke
- Jelly Roll Morton
- Kid Ory
- Jack Teagarden
- King Oliver
- Henry “Red” Allen
- The Preservation Hall Jazz Band
Louis Armstrong would later go on to become an all-round entertainer, best known for 1960s vocal hits like “Hello Dolly” and “What a Wonderful World”. But decades before that the trumpeter left his mark as one of the most stunning improvising soloists the jazz world has ever known. After growing up in New Orleans he relocated to Chicago where, in t...
Along with Louis Armstrong, Sidney Bechet was one of the first major jazz soloists and, like Armstrong, he was also a New Orleans native. After starting out on the clarinet, he discovered the soprano saxophonewhilst on tour in London, pioneering the use of the instrument in a jazz context. A virtuoso instrumentalist, he makes frequent use of intric...
The 1917 version of “Livery Stable Blues” by the Original Dixieland Jazz Band is generally considered to be the first ever jazz recording. This has been the subject of much discussion: it is worth noting that a group of white New Orleans natives were given the opportunity to document their music before a number of African American players who were ...
Cornetist Bix Beiderbecke was another hugely influential stylist of the 1920s, with an approach that makes for an interesting comparison with that of Louis Armstrong. While Armstrong’s playing was bold and bluesy, Bix was lyrical and somewhat introspective, largely sticking to the horn’s middle register. Louis, in contrast, was capable of heading u...
Never exactly the modest type, Jelly Roll Mortonfamously claimed to have been the inventor of jazz. That’s probably a bit of a stretch, but he was probably the first to write down and formally arrange the music, and he was certainly a pioneering stylist in the early days of New Orleans jazz. The pianist’s sound was informed by ragtime, a syncopated...
Kid Ory was one of the very first jazz trombonists, with one of his innovations being the development of the “tailgate” style, which saw him playing the lower harmonies below the trumpet and clarinet in the frontline of a traditional jazz band. His talent was first discovered by the New Orleans cornetist Buddy Bolden, a legendary figure who is cons...
The school of trombone playingpioneered by Kid Ory saw the instrument take a supporting role, playing in a rhythmic, punchy fashion below the other frontline instruments. Teagarden developed a more legato, soloistic way of playing, which put the trombone on more of an even footing with the trumpet. In the 1920s he played with Bix Beiderbecke, Louis...
Oliver’s place in jazz history is inextricably tied up with his role in the Louis Armstrong story. He was Armstrong’s mentor and teacher, first giving him his own newly-vacated chair in Kid Ory’s ensemble, then summoning Pops to Chicago to join his own Creole Jazz Band on second cornet. Still, King Oliver was a great trumpet playerand an important ...
Trumpeter Red Allen was one of the first musicians to assimilate the innovations of Louis Armstrong and fully take on board his influence. He also followed Armstrong’s career path, heading from New Orleans to Chicago in 1927 to play with King Oliver’s band. His impassioned trumpet sound was heard on recordings with Billie Holiday, Jelly Roll Morton...
The Preservation Hall Jazz Bandwas formed in the early 1960s out of an ensemble that played regularly at the Preservation Hall, a historic venue in New Orleans. Currently directed by Ben Jaffe, the band has featured numerous eminent musicians, including historic figures like “Sweet Emma” Barrett and Kid Thomas, and continues to tour internationally...
In the 1930s the big bands overshadowed Dixieland, but by the early 1940s older styles were returning to fashion. The popular recordings (beginning in 1942) of Chicago-based Dixieland bands led by Bunk Johnson are often cited as the catalyst for the revival of traditional jazz.
- The Editors of Encyclopaedia Britannica
Dixieland jazz emerged from ragtime and was influenced by the blues, gospel music, work songs, brass bands, and ring shout. The advent of Storyville, the city’s infamous red-light district, created a demand for black musicians, and the music flourished.
Dixieland is a style of jazz that originated in New Orleans in the early 20th century, characterized by its upbeat tempos, collective improvisation, and ensemble performances.
Feb 1, 2016 · The Original Dixieland Jazz Band's first recording in Feb. 1917 is often cited as the first jazz record ever, but critic Kevin Whitehead says that the roots of jazz stretch a little further...
Sep 23, 2018 · The Birth of Dixieland Jazz. Dixieland Jazz, also known as Traditional Jazz or Hot Jazz, originated in New Orleans, some time at the beginning of the 20 th century. During this time, immigrant communities did not have as many options to express their music talents.
