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Installed at two separate venues during the Venice Biennale, Stan Douglas: 2011 ≠ 1848 was combined into a single exhibition for its cross-Canada tour. Its presentation at the National Gallery of Canada follows acclaimed runs at The Polygon Gallery in Vancouver, and the Remai Modern in Saskatoon.
Douglas connects points of social rupture, rendering in minute detail and with technical ingenuity historic moments of protest, riot, and occupation from 2011 that echoed upheavals that swept Europe in 1848.
Jan 23, 2011 · The Venice installation Stan Douglas: 2011 ≠ 1848, curated by Reid Shier, presents a series of works across two venues. The works are inspired by historical events of social and political turbulence, as seen in Europe in 1848 and within a global context in 2011.
May 5, 2022 · Stan Douglas answers this question in his series 2011 ≠ 1848, in which he both equates the two years and denies their compatibility. At the center of the relationship between these two otherwise unconnected years is protest—people questioning the world around them and taking action.
Aug 9, 2011 · Stan Douglas: 2011 ≠ 1848 draws a comparison between the events of 2011 and those of 1848, a year in which continent-wide upheaval found European middle and working classes allied in a fight against a lack of democratic freedoms, restrictions on the press, and the continued dominance of an aristocratic elite.
Stan Douglas: 2011 ≠ 1848 presents a series of works inspired by historical events of social and political turbulence. Douglas connects points of social rupture, rendering in minute detail and with technical ingenuity historic moments of protest, riot, and occupation from 2011 that echoed upheavals that swept Europe in 1848. When.
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Douglas connects points of social rupture, rendering in minute detail and with technical ingenuity historic moments of protest, riot, and occupation from 2011 that echoed upheavals that swept Europe in 1848.
