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The Symphony No. 2 in C minor by Gustav Mahler, known as the Resurrection Symphony, was written between 1888 and 1894, and first performed in 1895. This symphony was one of Mahler's most popular and successful works during his lifetime.
Resurrection Symphony No. 2 in C Minor, symphony by Gustav Mahler, known as “Resurrection.” The first three movements were heard in Berlin on March 4, 1895; the premiere of the complete work would not occur until December, again in Berlin.
- Betsy Schwarm
Jan 12, 2024 · The “Resurrection” Symphony is Mahler’s first to pair orchestral writing with voice and language. Fittingly, for a work about life and death, inspiration came in the form of a hymn read at the funeral of the composer’s friend and fellow conductor Hans von Bülow, where he heard a setting of Friedrich Gottlieb Klopstock’s poem “Die ...
- Listening Guide For The First Movement
- Listening Guide For The Second Movement
- Listening Guide For The Third Movement
- Listening Guide For The Fourth Movement
- Listening Guide For The Fifth Movement
The Second Symphony begins with an ominous tremolo, out of which fragmentary scales come rumbling from the basses. These give way to halting arpeggios, over which the main melody of the first movement’s sonata form enters in the oboes and English horn. This material opens with pitches taken from the Gregorian chant “Crux fidelis” (“Faithful cross”)...
The score specifies a pause of at least five minutes after the first movement. Following this, an Andante moderato marked “Sehr gemächlich, nie eilen” (“Very leisurely, never rushing”) begins, and it creates a tremendous contrast with everything heard previously. In 1899, Mahler conveyed to Bauer-Lechner that he considered this discontinuity a faul...
As noted in the Work History above, the third movement derives from Mahler’s setting of the Wunderhorn text “Des Antonius von Padua Fischpredigt.” This poem (given below) satirizes the legend of St. Anthony preaching to the fish in the river. The fish symbolize a congregation that listens attentively, but upon completion of the service, returns to ...
Like the third movement, the fourth began as setting of a Wunderhorn poem. In this case, however, Mahler decided to use both the text and music of “Urlicht,” rather than discarding the words as he did with the “Fischpredigt.” Thus, the composer introduces the human voice—via an alto soloist—after approximately forty-five minutes of purely instrumen...
Many scholars interpret the fifth movement as another example of sonata form, with instrumental expositional and developmental sections, followed by a choral recapitulation. Because Mahler based the vocal portion of the finale on the same materials as its orchestral beginning, this scenario does actually describe the shape of the movement to a cert...
Apr 12, 2018 · What we quickly discover about this second symphony is that is Mahler’s very real and life-long quest for truth, God and even immortality. It has the title of “resurrection” for good reason, as we shall discover. Unlike the Classical symphony, Mahler uses a five-movement form and has a performance time of nearly one and a half hours.
Jan 2, 2015 · “Resurrection” (in German “Auferstehungs-symphonie”). The ink was barely dry on the score of his First Symphony in 1888 when Mahler began to toy with the idea of a new large symphonic work in c.
Discover the beauty of Symphony No. 2 - Resurrection. Experience an emotional journey through this powerful symphony.
