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      • Bridget Riley's geometric paintings implore the viewer to reflect on how it physically feels to look. Her paintings of the 1960s became synonymous with the Op Art movement, which exploited optical illusions to make the two-dimensional surface of the painting seem to move, vibrate, and sparkle.
      www.theartstory.org/artist/riley-bridget/
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  2. Bridget Louise Riley CH CBE (born 24 April 1931) is an English painter known for her op art paintings. She lives and works in London, Cornwall and the Vaucluse in France. [2]

  3. Mar 3, 2022 · Bridget Riley’s works became a famous example of Op art in the 1960s. Her art is characterized by geometric forms, high contrast, dizzying optical illusions, black and white shapes, and vibrant colors.

  4. Riley became an icon, not just of Op art, but of contemporary British painting in the 1960s, and she was the first woman to win the painting prize at the Venice Biennale in 1968. Riley's innovations in art inspired a generation of Op artists, including Richard Allen and Richard Anuszkiewicz.

    • British
    • April 24, 1931
    • London, UK
  5. Bridget Riley, English artist whose optical pattern paintings were central to the Op art movement of the 1960s. Her work took on a geometric abstraction, in which intricate patterns of black and white and, later, alternating colors were calculated to produce illusions of movement and topography.

    • The Editors of Encyclopaedia Britannica
  6. Bridget Louise Riley (born 24 April 1931) is an English painter known for her op art paintings. She lives and works in London, Cornwall and the Vaucluse in France.

  7. When Bridget Riley first exhibited her black and white abstract paintings in the 1960s, people were amazed at how they seemed to move. It was like she was painting with electricity and the patterns were live wires! This style of painting is known as op art.

  8. www.tate.org.uk › art › artistsBridget Riley | Tate

    She first drew critical attention with the black-and-white paintings she made from 1961, and her international breakthrough came four years later in The Responsive Eye at MoMA, New York, which celebrated the Op art movement.

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