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  1. Box office. $10.8 million [ 5 ] We Need to Talk About Kevin is a 2011 psychological thriller drama film directed by Lynne Ramsay from a screenplay she co-wrote with Rory Stewart Kinnear, based on the 2003 novel of the same name by Lionel Shriver. A long process of development and financing began in 2005, with filming commencing in April 2010.

  2. We Need to Talk About Kevin is a 2003 novel by Lionel Shriver, published by Serpent's Tail, about a fictional school massacre. It is written from the first person perspective of the teenage killer's mother, Eva Khatchadourian, and documents her attempt to come to terms with her psychopathic son Kevin and the murders he committed, as told in a series of letters from Eva to her husband.

    • Lionel Shriver
    • 2003
  3. We Need to Talk About Kevin: Directed by Lynne Ramsay. With Tilda Swinton, John C. Reilly, Ezra Miller, Jasper Newell. Kevin's mother struggles to love her strange child despite the increasingly dangerous things he says and does as he grows up.

    • (170K)
    • Drama, Mystery, Thriller
    • Lynne Ramsay
    • 2011-10-21
  4. Jul 12, 2021 · Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, ‘We Need to Talk About Kevin’ is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewer’s mind. Stripping the screenplay off words, the disturbance ...

  5. Jul 12, 2021 · We Need to Talk About Kevin is a disturbing tale of a family imploding from within. The ending asks difficult questions about parenting techniques and love.

  6. We Need to Talk About Kevin. Eva Khatchadourian (Tilda Swinton) is a travel writer/publisher who gives up her beloved freedom and bohemian lifestyle to have a child with her husband, Franklin ...

    • (212)
    • Drama
    • R
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  8. Jan 25, 2012 · Directed by Lynne Ramsay, “We Need to Talk About Kevin” is fragments of time, jagged and confusing, lurching around inside her mind. The film moves without any pattern between past, present and who knows when. We cling to guidelines like the length of Tilda Swinton‘s hair to figure out where we are. For much of the film, she lives with ...

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