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- The Italian actor – who portrayed Christopher Moltisanti on the hit crime-drama – recently shared that it was "brutal" when he had to be physically abusive on the show. "The most brutal, difficult stuff for me is when Christopher had to be physically abusive with Adriana, for obvious reasons," Imperioli told The Guardian.
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Aug 14, 2023 · Michael Imperioli has claimed that the most “difficult” scenes to film in The Sopranos were those involving domestic violence. The actor played the role of Tony Soprano’s nephew, Christopher...
Aug 15, 2023 · The actor went onto explain that the scenes where his character had to be physically abusive to Adriana (Drea de Matteo) were the most challenging. Advertisement Michael Imperioli as Christopher ...
Aug 14, 2023 · His character was murdered by Tony (James Gandolfini) in the final season, but Imperioli does not count his onscreen death as the most “brutal” sequence to film.
Aug 15, 2023 · Michael Imperioli, who portrayed Christopher Moltisanti in The Sopranos, revealed that the most difficult scenes to shoot were those involving physical abuse towards his girlfriend, Adriana. Imperioli is unafraid to take a stance on social issues, using his platform to condemn acts of hate towards marginalized groups.
- TV/Film News Writer
Aug 15, 2023 · However, he highlighted that the “most brutal, difficult” scenes to film in the 21-time Emmy award-winning series were those where his character “had to be physically abusive with Adriana ...
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Aug 14, 2023 · was recently asked by The Guardian to name the most brutal scene he’s ever had to film in his acting career, and his answer was any time his character on “ The Sopranos ,” Christopher...
Aug 14, 2023 · Michael Imperioli got candid about the hardest scenes he filmed as Christopher Moltisanti on the HBO classic The Sopranos. In an interview with The Guardian, he rejected the notion that his character’s murder by Tony Soprano was the most brutal scene he acted in; rather, it was the domestic violence. "The most brutal, difficult stuff for me ...
