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      • The film was panned by critics, citing poor dialogue and acting. The film holds a 30% approval rating from Rotten Tomatoes based on 20 reviews. Vincent Canby of The New York Times wrote that the film "has all the ingredients of a parody, although someone has made the mistake of doing it straight."
      en.wikipedia.org/wiki/The_Car_(1977_film)
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  2. Not many people, however, would probably add The Card to it. And thats not because its a bad movie, it’s just been somewhat forgotten over the years. If it appeared on almost anybody else’s CV, it would more than likely be regarded as a minor classic.

    • Ronald Neame
    • PG
    • Alec Guinness, Valerie Hobson, Glynis Johns
  3. The Card is a 1952 British comedy film version of the 1911 novel by Arnold Bennett. In America, the film was titled The Promoter. It was adapted by Eric Ambler and directed by Ronald Neame. It stars Alec Guinness, Glynis Johns, Valerie Hobson, and Petula Clark. The film was nominated for the Academy Award for Best Sound. [4]

  4. The Card (1952) An impoverished and ambitious son of a washerwoman (Alec Guinness) works his way up the ranks of society by any means necessary. Based on Arn...

    • 87 min
    • 220.3K
    • Classic Film Channel
  5. I thought this movie was going to be a reboot of your classic gambling movies out there. It is not. It's definitely the best original screenplay I've seen this year and nobody has seen it. Did it just get dusted by Dune and No Time to Die? The story, cinematography, acting, and score are outstanding.

  6. Sep 10, 2021 · What are best movies about gambling and poker ever made? There are certainly plenty of contenders, including Uncut Gems, Rounders, California Split, 21, and more.

  7. Told with Schrader's trademark cinematic intensity, the revenge thriller tells the story of an ex-military interrogator turned gambler haunted by the ghosts of his past decisions, and features...

    • (232)
    • Mystery & Thriller, Drama
    • R
  8. Sep 2, 2021 · In “The Card Counter,” too, Schrader sets up a heady thriller framework and embeds it with a topical issue that’s like an open wound, a scar on our national psyche.

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