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Brigitte Bardot, the epitome of French allure and cinematic glamour, remains a timeless icon whose influence transcends generations. Born in Paris and catapulted to global stardom in the 1950s and 1960s, Bardot's journey from screen siren to passionate animal rights activist is a compelling tale of reinvention.
- ‘Invitango’
- ‘Les Amis de La Musique’
- ‘Je Me Donne à Qui Me Plaît’
- ‘À La Fin de L’Été’
- ‘Ne Me Laisse Pas L’Aimer’
- ‘Contact’
- ‘Un Jour Comme Un Autre’
- ‘C’est Une Bossa Nova’
- ‘Bubble Gum’
- ‘Bonnie and Clyde’
Get your dancing shoes on, you’re invited to dance the tango with one of the hottest women of the 1960s. Explaining with a literal step-by-step what we can expect from this experience, the vocals and rhythm of ‘Invitango’ subliminally make us dance — and it’s hard to stop.
Bardot’s playful vocals encourage us to twist around the room with this trumpet-led masterpiece flirting with twenties-like melodies. “Je suisle jazz de 1925” [“I am the jazz of 1925”] she announces — and she most certainly knows how to bring it back to life.
Bye-bye Roméo and Juliet, hello daring and seductive Brigitte Bardot. Illustrating the feminine emancipation of that time, the singer explains how she “gives herself” to whoever she wants. And if you were lucky enough to walk past her at that time, you would certainly be anything but disappointed.
We all know how nostalgic we feel once summer is over. This heartfelt piece dealing with her beloved beach and lover is the perfect representation of what we might feel once all those sunny summer days come to an end. Her soft voice takes us through this poetic-like song, made up of rhymes and peaceful melodies.
Brigitte Bardot’s backing vocals whispering as though it was her mind speaking out loud “Ne me laisse pas l’aimer” [“Don’t let me love him”]. However, throughout the lively track, the singer tells us how she has noticed the attraction between this boy and girl. Although it starts off as a sort of mischievous song, it ends with a bang when Bardot si...
A weird yet fascinating combination of psychedelic and futuristic sounds, signé Serge Gainsbourg. Taking us into outer space with this intriguing song, BB delivers probably one of her strangest vocal performances to date, with a chorus full of echoes and a melody that would freak everyone out and make them feel uncomfortable, back in the 1960s.
The gentle strumming of the guitar and the light, delicate trumpet beautifully come together on ‘Un jour comme un autre’. Yes, this is another heartbreak song, and when listening closely to the lyrics, Bardot does melt our hearts with her sincere lines. “Toi tu étais pour moi / Tout ce que j’espérais / Toi tu étais ma vie et même un peu plus / Tu é...
Originally released as the B-side of another one of Bardot’s classics — ‘Nue au soleil’ — this track isn’t actually a bossa-nova when listening to the melody of it, but BB’s voice is something else. Her soft whispers are dreamy, and the light feel of this piece is aesthetically pleasing.
Another song written by her then lover Serge Gainsbourg. The enchanting melody of this track adds to the sensuality of the pretty blonde’s voice. Tailored especially for her, Gainsbourg made sure to accentuate her already strong sex appeal with rather daring yet playfully innocent lyrics.
One of the most sensational couples of the 1960s reunited on this four-minute track, identifying themselves with the well-known lovers Bonnie Clark and Clyde Barrow. And we can all guess how that ended. Gainsbourg and Bardot would go on to strike up a fiercely romantic and intensely fiery love affair. Returning to the song that brought them togethe...
- Et Dieu Créa la Femme (And God Created Woman) - 1956. Directed by Brigitte Bardot's first husband, Roger Vadim, "Et Dieu Créa la Femme" catapulted Bardot to international stardom.
- Voulez-vous Danser avec Moi? (Come Dance with Me) - 1959. Directed by Michel Boisrond, this musical comedy showcases Bardot's versatility as an actress.
- Le Mépris (Contempt) - 1963. Jean-Luc Godard's "Le Mépris" is a masterpiece of French New Wave cinema, with Brigitte Bardot in a starring role alongside Jack Palance and French actor Michel Piccoli.
- En Effeuillant la Marguerite (Mademoiselle Striptease) - 1956. Directed by Marc Allégret, this charming comedy features Bardot as Agnès Dumont, an aspiring young actress who inadvertently becomes the star of a burlesque show.
Feb 12, 2019 · Brigitte Bardot delivers her greatest performance in what would be Henri-Georges Clouzot’s final masterpiece, a stinging indictment of a justice system run by a moralistic patriarchy.
Sep 20, 2014 · Since her first public appearance in 1950, BB, the screen icon who turned her back on film fame, has courted scandal, writes Agnès Poirier
Brigitte Anne-Marie Bardot (/ b r ɪ ˌ ʒ iː t b ɑːr ˈ d oʊ / ⓘ brizh-EET bar-DOH; French: [bʁiʒit baʁdo] ⓘ; born 28 September 1934), often referred to by her initials B.B., [1] [2] is a French former actress, singer, and model as well as an animal rights activist.
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Mar 15, 2015 · When Bardot started modelling, couture and fashion in France were dominated by Christian Dior’s ‘New Look’, launched in 1947. It was glamorous and feminine in a formal and structured way. Women wore ensembles with tailored jackets and full or long, fitted skirts, and evening gowns in expensive silks or satins.
