8.0/10 (1522 reviews)
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- The old golden age Warner Bros. crime dramas knew something that most modern movies have forgotten: Heroes are great, but a movie is only as good as its villain. John Frankenheimer's "52 Pick-Up" provides us with the best, most reprehensible villain of the year and uses his vile charm as the starting point for a surprisingly good film.
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The old golden age Warner Bros. crime dramas knew something that most modern movies have forgotten: Heroes are great, but a movie is only as good as its villain. John Frankenheimer's "52 Pick-Up" provides us with the best, most reprehensible villain of the year and uses his vile charm as the starting point for a surprisingly good film.
John Frankenheimer's 52 Pick-Up provides us with the best, most reprehensible villain of the year and uses his vile charm as the starting point for a surprisingly good film.
53% Tomatometer 17 Reviews. 46% Audience Score 500+ Ratings. Based on a novel by Elmore Leonard, this gritty movie follows a plot to blackmail wealthy industrialist Harry Mitchell (Roy Scheider).
- (17)
- John Frankenheimer
- R
- Roy Scheider
Jul 29, 2016 · 52 Pick-Up is fantastic piece of 80s sleaze; an Elmore Leonard adaptation that nicely captures the writer’s plotting and wit. It’s funny, vicious, and twisting, and proof that, like Runaway Train, not everything Cannon bankrolled had Chuck Norris in it.
52 Pick-Up is a 1986 American neo-noir crime film directed by John Frankenheimer and starring Roy Scheider, Ann-Margret, and Vanity. It is based on Elmore Leonard's 1974 novel of the same name, and is the second adaptation of it after The Ambassador (1984).
52 Pick-Up is a thriller without any thrills. Although director John Frankenheimer stuffs as much action as he can into the screen adaptation of Elmore Leonard's novel (previously filmed by Cannon in Israel in 1984 as The Ambassador), he can't hide the ridiculous plot and lifeless characters.
52 Pick-Up is a thriller without any thrills. Although director John Frankenheimer stuffs as much action as he can into the screen adaptation of Elmore Leonard's novel (previously filmed by Cannon in Israel in 1984 as The Ambassador), he can't hide the ridiculous plot and lifeless characters.