Lizzy Macklin
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Apr 5, 2019 · “The Wind,” an impressive horror/western hybrid, is the kind of artful genre movie that some filmgoers think simply doesn’t get made anymore.It’s a modestly-scaled character study about Lizzy (Caitlin Gerard), a resourceful, alienated frontierswoman who—living in a desolate cabin in the middle of an undisclosed part of 19th century America—slowly loses her grip on reality.
- Ashley Zukerman
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- Ashley Zukerman
Oct 3, 2024. Rated: 7/10 • Dec 28, 2020. A solid performance from Caitlin Gerard as an abandoned woman who slowly loses her mind trying to survive on the open plains anchors this film and helps ...
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- Emma Tammi
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- Caitlin Gerard
The performances really stand out in The Wind as well especially the one given by Caitlin Gerard. Her performance is captivating and steals the show. You can feel her suffering and pain from head to toe and she acts with her whole body much like Emily Blunt in AQuiet Place. Although there’s a healthy does of blood and gore in this film, that ...
It's really good. It's an unusual movie for Miyazaki because it's very down to earth and not fantasy like his more famous work but I loved it. I'm not sure if it's a great starting point for Miyazaki and Ghibli films in general but if your theatre's showing it, I'd say it's better to just go see it. Reply. [deleted] •.
May 31, 2021 · ‘The Wind’ is a slow-burn horror-mystery based in the Wild West. The surreal film follows a woman’s slow descent into madness as she struggles to survive the crushing solitude of the 19th-century frontier lands. Lizzy’s tale is pieced together through time jumps, simultaneously exploring her sinister past and rapidly deteriorating present. With no good outcome […]
Mar 31, 2019 · The Wind, 2019. Directed by Emma Tammi. Starring Caitlin Gerard, Ashley Zukerman, Julia Goldani Telles, Dylan McTee, Martin C Patterson, and Miles Anderson. SYNOPSIS: A supernatural thriller set ...
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Apr 2, 2019 · The plains are harsh and barren, and THE WIND does a good job of making the remoteness seem all-encompassing—after all, no one can hear you scream if the nearest person is miles away. There is a scene where Lizzie is left alone on the farm for a few days, and the use of the constant wind sounds is chilling.
