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    • Worthless

      • Even at its worst (which is where it often resides), “Mortal Engines” is still a rousing advertisement for the theatrical experience. Unlike “Roma,” however, this would be utterly worthless to watch at home.
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  2. I managed to watch an early screening on December 5th, and I was blown away by the movie and encouraged me to go back and read the books. Of course, I was too excited to be patient, so I read summaries of everything in all the other books, and man was I enthralled by their brilliance...

  3. Mortal Engines has no shortage of eye-catching special effects, but lacks enough high-octane narrative fuel to give this futuristic fantasy sufficient cinematic combustion. Read Critics Reviews

    • (189)
    • Christian Rivers
    • PG-13
    • Hera Hilmar
    • Is 'Mortal Engines' worth watching at home?1
    • Is 'Mortal Engines' worth watching at home?2
    • Is 'Mortal Engines' worth watching at home?3
    • Is 'Mortal Engines' worth watching at home?4
  4. Dec 21, 2018 · Set thousands of years in the future after a nuclear-scale war, Mortal Engines tells the story of the Traction Era, where mankind has adapted to this (post-)post-apocalyptic world by upping...

  5. Mortal Engines is a lifeless fantasy epic that is mildly enjoyable at times, but suffers from several grave afflictions that ultimately incur steep viewing consequences. Full Review | Jan 29,...

  6. Dec 14, 2018 · Mortal Engines. Science Fiction. 128 minutes ‧ PG-13 ‧ 2018. Glenn Kenny. December 14, 2018. 4 min read. How did this truly crummy movie get made? I have a theory. Co-producers Peter Jackson and Fran Walsh, who once upon a time could put together a motion picture that was engaging, coherent, entertaining, and even genuinely dazzling, looked ...

  7. Dec 5, 2018 · Unlike “Roma,” however, this would be utterly worthless to watch at home. Watching the film on a television or laptop would be like staring at a stereogram with one eye closed: You’d...

  8. Dec 14, 2018 · Hundreds of years after civilization was destroyed by a cataclysmic event, a mysterious young woman, Hester Shaw (Hera Hilmar), emerges as the only one who can stop London — now a giant, predator city on wheels — from devouring everything in its path.

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