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How to slate multiple cameras?
Can a camera see a slate?
How is a slate handled in a film production?
What is a slate & how does it work?
Mar 1, 2011 · Often the A-camera first assistant can slate their own camera as they usually have a wide shot. When slating multiple cameras keep your slate in the frame from the beginning of the shot. This not only creates a thumbnail of the slate for the editor but it blocks the camera’s view of other slates, preventing the editor or assistant editor from ...
May 24, 2023 · If you can slate multiple cameras with a single slate point then that’s called a “common mark” however if you need to slate multiple cameras separately, then each cameras corresponding mark should be individually called.
Where to put the slate. The general rule of thumb is to place the slate directly in front of the lens, and then move it away from the lens 1 foot for every 10mm of lens. So if there is a 50mm lens on the camera, place the slate about five feet away from the front of the lens.
There's a few ways. You can move both cameras so the slate is in both their frames. And after the slate, you can move them back to their original position. Or you can slate one camera, and have them move to the other camera.
Nov 16, 2022 · If the production is running multiple cameras, you will want to confirm each camera can see the slate; if not, you will need to slate multiple times, making sure each camera gets a clear visual of the slate, ending each call out with the camera letter. (Example: Scene 5B, Take 3, Camera A, Mark)
Aug 13, 2023 · Multiple Cameras. When you have to slate for multiple cameras, you want to be as efficient as possible. Slate in order, starting with A camera, which is considered the sort of “chief” camera. Even if you can’t slate the other cameras in order for time’s sake or due to logistics, you should always start with A camera.
Jan 1, 2024 · To ensure effective slating, it is important to consider various factors. These include framing the slate properly, calling out the slate information audibly, handling multiple cameras, marking shots in alphabetical order, and starting each clip with the slate in focus.
