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- The arts and crafts movement was a rebellion-- a reaction to the negative impact of industry. And this Beardie led the charge-- William Morris was a poet and artist. He believed industrial production was making us less creative and removing skill from the manufacturing process.
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Oct 7, 2024 · William Morris was an English designer, craftsman, poet, and early socialist, whose designs for furniture, fabrics, stained glass, wallpaper, and other decorative arts generated the Arts and Crafts movement in England and revolutionized Victorian taste.
Morris pioneered a new and refreshing approach to design and manufacture, championing hand craftsmanship during a time in British history when industrial mass-production was at its peak. From furniture to stained glass and textiles, Morris’s designs have been continuously produced ever since.
Belonging to this group gave Morris an awareness of the deep divisions in contemporary society, and sparked his interest in trying to create an alternative to the dehumanising industrial systems that produced poor-quality, 'unnatural' objects.
William Morris (24 March 1834 – 3 October 1896) was an English textile designer, poet, artist, [1] writer, and socialist activist associated with the British Arts and Crafts movement. He was a major contributor to the revival of traditional British textile arts and methods of production.
In 1877 he founded the Society for the Protection of Ancient Buildings to campaign against the damage caused by Victorian architectural ‘restoration’. Embracing Marxism and influenced by anarchism, in the 1880s Morris became a committed revolutionary socialist activist.
Dec 4, 2020 · The critique of capitalism was central to William Morris’s vision of an arts and crafts movement in the Victorian era. Against the alienation and exploitation of a rapacious industrialism, he advocated for a conception of art capable of restoring creativity to everyday life.
Learn how English designer William Morris and his friends started the Arts and Crafts movement as a response to what they saw as falling standards of style, craftsmanship, and taste resulting from mechanized mass production.
