Search results
After his release he played the ever-optimistic sailor of the Potemkin in Dusan Makavejev 's Sweet Movie (1974) and the role of Pablo, the seductive saxophone player, in Fred Haines 's Steppenwolf (also 1974) adapted from the novel by Hermann Hesse.
Oct 28, 2022 · The French director made his films with his own earnings as an actor, not for monetary gain or widespread recognition but as a form of self-realization.
Oct 26, 2022 · From 1967, he took up a Bolex and began making short films that were in equal parts diaristic and psychotropic. Blazing overlaid and lapping entities of light & music, of family, friends, and himself in psychedelic exultations of a fiercely committed bohemian existence.
Jun 11, 2010 · The closest Clémenti ever came to making a traditional film was In the Shadow of the Blue Scoundrel (shot and assembled from 1978 through 1985), a noir-ish tale of social dystopia and political espionage, the subversions of which are probably all the greater for their relatively straightforward presentation.
His body of work consists largely of psychedelic diary films, on-the-wing images of his bohemian circle, family, street life, protests, film shoots, all seen through the fast, jagged, handheld rhythms first elaborated by the American avant garde.
Actor: Belle de Jour. Pierre Clémenti was born on 28 September 1942 in Paris, France. He was an actor and director, known for Belle de Jour (1967), The Leopard (1963) and À l'ombre de la canaille bleue (1986).
People also ask
How did Pierre Clémenti make his films?
Who is Pierre Clémenti?
What did Clémenti do during his career?
Where are the films of Pierre Clémenti filmed?
Dec 27, 1999 · Pierre Clémenti (28 September 1942 – 27 December 1999) was a French actor. Born in Paris, Clémenti studied drama and began his acting career in the theatre. He secured his first minor screen roles in 1960 in Yves Allégret's Chien de pique performing alongside Eddie Constantine.
