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Nov 22, 2017 · Editors Michael McCusker, Dirk Westervelt. Action movies have developed a shorthand of production; every scene is shot by three cameras, with the thinking, “You will find it in the cutting room.”
Film editor Michael McCusker was finishing work on Mangold's Logan, during the period of October 7, 2016, wherein he spoke of going through the dailies and breaking them down, and figuring out the structure of one scene which he described as a "complicated, multi-component scene". [159]
Mar 17, 2017 · As fans have always wanted, we also finally get to see Wolverine at his most primal, more so than even the unrated cut of James Mangold’s own The Wolverine, which reinstated the more graphic violence not seen in the PG-13 theatrical cut, yet it still seems tame compared to Logan. There’s very little chance of editing without the film losing its identity and the impact of seeing Wolverine ...
May 27, 2020 · Even though Mangold has directed a handful of Oscar-winning films such as Walk the Line and Girl, Interrupted – Logan bestowed the first nomination to his name for Best Adapted Screenplay. Three years and one more nomination later ( Ford v Ferrari for Best Picture), looking back at Mangold’s methods of adapting stories could not be more insightful.
- Michael Slavin
Mar 3, 2017 · Nothing is further from the truth. This is a great action movie, first and foremost. The action scenes have purpose and connect so much more powerfully than most superhero films, in which they are often just ways to show off the budget. When “Logan” breaks out into action, it feels organic to the plot, moving the themes and characters ...
Feb 17, 2017 · Seventeen years after 'X-Men' made him a movie star, Hugh Jackman ends his run as the Wolverine — at least for now — with 'Logan,' a neo-Western road trip through the heartland.
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Mar 6, 2017 · With Mangold’s Logan ripping up theaters in its opening weekend and his career having just passed the two-decade mark, we thought it would be fitting to look back on the career of a filmmaker ...
