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    • Exist only in black-and-white

      • The Great Gabbo (1929) was originally released by Sono Art-World Wide Pictures, with certain sequences were presented in Multicolor. However, current prints, restored by the Library of Congress and released by Kino International on DVD, exist only in black-and-white.
      www.imdb.com/title/tt0019946/
  1. The opening credits mention "Color sequences by Multicolor", but those sequences are now either lost or have survived only in black-and-white form. Multicolor, based on the earlier Prizma color process, went out of business in 1932; its assets were bought by Cinecolor .

  2. However, current prints, restored by the Library of Congress and released by Kino International on DVD, exist only in black-and-white. Most, perhaps all, VHS and DVD releases of the film have the color sequences in black and white.

    • (1K)
    • Drama, Musical, Romance
    • James Cruze, Erich von Stroheim
    • 1929-09-12
  3. Color sequence(s) have not survived, except in black and white. The "Gaga Bird" production number is presumed lost. The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film.

  4. The article went on to suggest that Multicolor would make quality color photography available to all levels of the motion picture industry. To date, the Multicolor sequences in this film have only survived in black and white.

  5. However, current prints, restored by the Library of Congress and released by Kino International on DVD, exist only in black-and-white.

  6. Arts. Culture magazines. The Great Gabbo. views 2,945,419 updated. The Great Gabbo ★★ 1929. A ventriloquist can express himself only through his dummy, losing his own identity and going mad at the end. Von Stroheim's first talkie. May quite possibly be the first mentally-twisted-ventriloquist story ever put on film.

  7. Ventriloquist Films: The Great Gabbo, Dead of Night, and Magic. Leonard G. Heldreth. The double, a common concept in fantasy literature and film, is as difficult to define in a short space as fantasy itself. It im- plies freedom from certain characteristics but also links the self.

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