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  1. The foundations of South Asian classical music can be traced back to forms of Vedic literature, based on ancient Sanskrit scriptures and religious texts that were vital to Hinduism in India. The scriptures were significant in the creation of two broad categories of classical music in South Asia, Hindustani classical music and Carnatic classical music .

  2. Nov 21, 2019 · By heterometric, I mean a musical item in which the temporal organization, or musical “time,” changes. 2 I will suggest that heterometric temporal organization features mainly in genres that fulfill different functions, and have different historical precedents, from those of concert or “classicalmusic as it is now commonly practiced; in the past, such genres may have been more ...

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    The wide field of musical phenomena in South Asia ranges from the relatively straightforward two- or three-tone melodies of some of the hill tribes in central India to the highly cultivated art music heard in concert halls in the large cities. This variety reflects the heterogeneous population of the subcontinent in terms of ethnic heritage, religi...

    The wide field of musical phenomena in South Asia ranges from the relatively straightforward two- or three-tone melodies of some of the hill tribes in central India to the highly cultivated art music heard in concert halls in the large cities. This variety reflects the heterogeneous population of the subcontinent in terms of ethnic heritage, religi...

  3. South Asian arts - Music Forms, Instruments, Traditions: Both raga and tala provide bases for composition and improvisation in Indian classical music. A performance usually begins with an improvised section, called alapa, played in free time without accompaniment of drums. It may have various sections and might on occasion last half an hour or longer. It is followed by a composed piece in the ...

  4. The classical music systems of north and south India, Hindustani, and Karnatak music represent for South Asians the aesthetic and intellectual heritage of court and temple. They consist of intricately structured vocal and instrumental genres performed in rāga and tāla, frameworks for melody and rhythm that were cultivated in specialist circles over more than a millennium.

    • Does South Asian classical music have a vertical dimension?1
    • Does South Asian classical music have a vertical dimension?2
    • Does South Asian classical music have a vertical dimension?3
    • Does South Asian classical music have a vertical dimension?4
  5. The Classical in MITHAS. MITHAS is dedicated to the classical experience in the performing arts, but we also try to preserve and promote related and refined artistic fields, such as those of thumri, bhajan, and ghazal; and further, we have delighted in more contemporary practices of fusion music, in which the classical artists are combined in ...

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  7. om the 15th century onwards, and parts of the historic repertoire survive in performance today. Compositions notated in the 17th to 19th cen. uries by musicians at the Ottoman court are still performed in the Turkish classical tradition. National ideologies sometimes encourage the re-construction of historic practices, instruments or repertoi.

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