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Believed to depict Aphrodite
- The Venus de Milo is believed to depict Aphrodite, the Greek goddess of love, whose Roman counterpart was Venus.
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Aug 30, 2024 · Venus de Milo, ancient statue commonly thought to represent Aphrodite, now in Paris at the Louvre. It was carved from marble by Alexandros about 150 BCE and was found in pieces on the Aegean island of Melos in 1820.
- The Editors of Encyclopaedia Britannica
The Venus de Milo is believed to depict Aphrodite, the Greek goddess of love, whose Roman counterpart was Venus. Made of Parian marble, the statue is larger than life size, standing over 2 metres (6 ft 7 in) high. The statue is missing both arms.
Nov 15, 2022 · Art historians have pointed out that the Venus de Milo looks very like the Aphrodite of Capua, a Roman replica of a Greek bronze original from the late 4th century BCE. One theory suggests that both statues are copies of an even older one, carved at least 170 years before Alexandros’ goddess.
May 8, 2019 · In 1911 CE, Auguste Rodin, the famous French sculptor, wrote an ode to Vénus de Milo in which he praised the ancient statue for its harmonious proportions, its perfection of divine grace, universal beauty, and noble truth. In all, Rodin saw the immortal personification of Womanhood itself.
- Branko Van Oppen
Jul 26, 2024 · A marble statue likely carved by Alexandros of Antioch and believed to depict Aphrodite, the Greek goddess of love, the Venus de Milo was found on the island of Melos in 1820.
One of the strongest and most popular speculations is that she is supposed to be Venus, goddess of love (the Roman counterpart to Aphrodite). However, she may also represent Amphitrite—the goddess of the sea—who held special significance on the Greek island of Melos, where the work of art was found. The statue was even discovered near a ...
The Venus de Milo is an ancient Greek statue, believed to represent Aphrodite, the goddess of love and beauty. This iconic piece of Hellenistic sculpture showcases the evolution of artistic techniques and styles from earlier periods, emphasizing realism, emotion, and innovation in its portrayal of the human figure.
