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To determine the potential value for agility in the film industry, we build on theory about agile project management and examine in an online survey with 184 German filmmakers (producers, authors, directors, actors, film financiers), if the Agile Manifesto values and principles from the Software Development can be adapted to the film industry.
Dan Eberle is a filmmaker AND an Agile Coach. He's been a guest of this podcast a few times in the past, but we've always centered the conversation around his work as an Agile Coach at the New York Times. This time, we're switching things up and Dan has joined me to discuss how agile and lean practices have influenced his practice of filmmaking ...
The Role of Wastes in Filmmaking; Applying the Six Sigma Framework in Filmmaking; You can read Zeerik’s article here. Agile and Lean Movie Making . In a presentation titled “Agile & Lean Movie Making” author Utpal Chakraborty discusses the issues with poor filmmaking and how to turn that around with Agile and Lean. The presentation includes:
May 17, 2021 · Findings – We point to the two groups of factors impacting whether or not a film team can implement the agile approach in a crowdfunding project: 1) the first group of factors refers to the ...
Sep 8, 2023 · It’s during these moments that I discovered the beauty of agile methodologies. Embrace Adaptability. Agile methodologies, much like filmmaking, thrive on adaptability. The ability to pivot, reevaluate, and adjust course is crucial. In the fast-paced world of film production, being open to change is not a luxury but a necessity.
Jun 30, 2015 · What would the filmmaking process would look like if we applied agile and lean ideas to it? I was thinking this back in 2011. Because my sister, Kylie, is a filmmaker I pitched her an experiment to…
A study by Figueroa (2015) claimed that Agile methodologies can be applied successfully in filmmaking based on similarities between movies and software projects. According to Martell (2015), Scrum methods can be applied to any kind of work and are “perfect systems for adapting to the film industry” Martell (2015). 3.3.
