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  2. instruments - like the violin, to low pitched instruments like the double bass. Watch: What do they sound like? Each family of instruments makes their sound in different ways. Explore...

    • Overview
    • General characteristics

    The principal types of musical instruments are percussion, stringed, keyboard, wind, and electronic.

    How long have musical instruments existed?

    Archaeology has revealed musical instruments such as pipes and whistles in the Paleolithic Period and clay drums and shell trumpets in the Neolithic Period. Ancient cultures of Mesopotamia, the Mediterranean, India, East Asia, and the Americas all possessed diverse and well-developed assortments of musical instruments, indicating that a long previous development must have existed.

    musical instrument, any device for producing a musical sound. The principal types of such instruments, classified by the method of producing sound, are percussion, stringed, keyboard, wind, and electronic.

    Musical instruments are almost universal components of human culture: archaeology has revealed pipes and whistles in the Paleolithic Period and clay drums and shell trumpets in the Neolithic Period. It has been firmly established that the ancient city cultures of Mesopotamia, the Mediterranean, India, East Asia, and the Americas all possessed diverse and well-developed assortments of musical instruments, indicating that a long previous development must have existed. As to the origin of musical instruments, however, there can be only conjecture. Some scholars have speculated that the first instruments were derived from such utilitarian objects as cooking pots (drums) and hunting bows (musical bows); others have argued that instruments of music might well have preceded pots and bows; while in the myths of cultures throughout the world the origin of music has frequently been attributed to the gods, especially in areas where music seems to have been regarded as an essential component of the ritual believed necessary for spiritual survival.

    Whatever their origin, the further development of the enormously varied instruments of the world has been dependent on the interplay of four factors: available material, technological skills, mythic and symbolic preoccupations, and patterns of trade and migration. Thus, residents of Arctic regions use bone, skin, and stone to construct instruments; residents of the tropics have wood, bamboo, and reed available; while societies with access to metals and the requisite technology are able to utilize these malleable materials in a variety of ways. Myth and symbolism play an equally important role. Herding societies, for example, which may depend on a particular species of animal not only economically but also spiritually, often develop instruments that look or sound like the animal or prefer instruments made of bone and hide rather than stone and wood, even when all the materials are available. Finally, patterns of human trade and migration have for many centuries swept musicians and their instruments across seas and continents, resulting in constant flux, change, and cross-fertilization and adaptation.

    Musical instruments have been used since earliest times for a variety of purposes, ranging from the entertainment of concert audiences to the accompaniment of dances, rituals, work, and medicine. The use of instruments for religious ceremonies has continued down to the present day, though at various times they have been suspect because of their secular associations. The many references to instruments in the Old Testament are evidence of the fact that they played an important part in Jewish worship until for doctrinal reasons they were excluded. It is also clear that the early Christians in the eastern Mediterranean used instruments in their services, since the practice was severely condemned by ecclesiastics, who insisted that the references to instruments in the Psalms were to be interpreted symbolically. Although instruments continue to be banned in Islamic mosques (but not in religious processions or Sufi ritual) and in the traditional Eastern Orthodox church, they play important roles in the ritual of most other societies. For example, Buddhist cultures are rich in instruments, particularly bells and drums (and in the Tibet Autonomous Region of China, wind instruments as well).

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    Belief in the magical properties of instruments is found in many societies. The Jewish shofar (a ram’s horn), which is still blown on Rosh Hashana (New Year) and Yom Kippur (Day of Atonement), must be heard by the congregation. The power of the shofar is illustrated by the story of Joshua at the siege of Jericho: when the priests blew their shofars seven times, the walls of the city fell flat. In India, according to legend, when the deity Krishna played the flute, the rivers stopped flowing and the birds came down to listen. The birds are said to have done the same in 14th-century Italy when the composer Francesco Landini played his organetto, or portative organ. In China, instruments were identified with the points of the compass, with the seasons, and with natural phenomena. The Melanesian bamboo flute was a charm for rebirth.

  3. Sep 28, 2023 · Musical instruments make sound by harnessing the power of vibrations. When an instrument is played, whether it’s plucked, struck, bowed, or blown, it sets in motion a series of vibrations within the instrument’s components.

  4. There are five specialty instrument families that I turn to when I want to make my songs sound unexpected and unique. Take note: I don’t let the fact that I don’t play these instruments get in my way. I dream big and use virtual versions. They work perfectly well if I exploit their strengths and mix them wisely.

  5. Sep 29, 2023 · How to write your own intro. Intros are a great way to set the tone of your song, while providing an opportunity for the instruments to shine and the vocals to breathe (if you have a track that’s primarily vocal-driven). That said, intros can definitely feature vocals as well.

  6. Musical sound - Sound Production, Instruments, Acoustics: Excluding electronic tone synthesizers, which employ vacuum tubes or transistors to produce tones, musical instruments can be classified within three groups: (1) chordophones, or strings; (2) aerophones, or winds; and (3) idiophones and membranophones, nearly all of which are percussion ...

  7. Music producers are responsible for creating the sonic landscape for artists. A producer might build the foundation of a song in their DAW, with the beat, chord progressions, and top melodies, and then bring in other musicians to record instruments or other parts of the song.

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