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Follow. Interview with Fight Club Screenwriter Jim Uhls. Dave BullisMay 11, 2019The Dave Bullis Podcast (PodBean) Jim Uhls is a screenwriter and producer. Jim’s sceenwriting credits include, Fight Club, the feature-film Jumper, the NBC television fi…. thefincheranalyst.com.
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- The Dialogue and Behavior of Characters Tell The Story
- Your Analytical and Intuitive Minds Must Work Together
- Get to Know Your Characters by Interviewing Them
- When in Pitch Meetings, Make Those Around You Do The Talking
- Adaptations Are as Hard as Original Screenplays
- Reading as Many Screenplays as You Can Is The Best Education
- Think in Pictures, Not Words
- Don't Fall Into The Same Solutions, Tricks, and Character/Story Patterns
- How to Handle Writer's Block
Uhls offered this small but very interesting tidbit regarding the similarity between playwriting and screenwriting — he started writing plays long before taking on screenplays. He wisely states that the major similarity between the two is that both tell stories through a character's dialogue and behavior. That is a stark difference between those tw...
Screenwriting is a very specific format that must be utilized. There is a purpose for this as it works as a blueprint for a collaboration between possibly hundreds of individuals. So the analytical side of your mind must accomplish that part of screenwriting. However, your intuitive mind must also be in play to avoid over-analyzing the process. He ...
One trick of the trade that Uhls utilizes within his process during the development phase of his scripts is literally interviewing his characters on paper with him as the interviewer. And during the process, as he "asks" questions that eventually start "pissing them off," the characters reveal themselves. This interesting process helps make the cha...
While this may not work for everyone in every pitch meeting scenario, it's certainly a very interesting approach that has yielded results. While Uhls was in the room with David Fincher, the producers, and studio executives, he was there to pitch his take on the adaptation of Fight Club. However, instead of pitching — he never actually pitched anyth...
Many people believe that adaptations are easier than original screenplays because you're working from pre-existing source material that already tells the story. Uhls points out that with adaptations, you have to work as hard as you do on original screenplays because at the end of the day you have to turn in a workable screenplay. If you turn in a s...
Uhls stated specifically that reading as many scripts as you can is the best way to learn the format and structure. The exposure to constantly reading that format creates not only an analytical understanding of it, but an absorption of what it was intuitively. Many believe that when mentors tell them to read scripts, it's about seeking out the clas...
One of the most common mistakes that novice screenwriters make is that they forget that this is a visual medium that they are writing for. While they are writing words, they need to be thinking in pictures. When Uhls is asked specifically whether he thinks in pictures or words, he responds by saying that he writes in mostly master shots, which is t...
Uhls was asked how many screenplays he has written since he started screenwriting. His answer was twenty — eleven of them for studios. He went on to say that there are good and bad aspects of having written that many. The good aspect of writing many scripts is that it helps you to better blend the aforementioned analytical and intuitive sides of wr...
Uhls was asked the question of how he handles writer's block. He states that the worse type of writer's block is found before the script has been started, where you're struggling to get things going. This is a very common stage of writer's block that most people don't discuss, as far as not knowing how to start that new project. You have these conc...
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