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Half Empty [Poster, 1275*1651px, 0.13mb] 1 of 1 movie poster in this group. Login EN. × Choose your country & language ...
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40″ x 30″.Landscape format. The quad (or to give its full name Quadruple Crown) has been the standard size British cinema poster for many years. Printed on heavier stock paper than the U.S. one-sheet and in far fewer quantities. Prior to 1985 they were almost always machine folded prior to issue. Printers include Berry & Co., Lonsdale & Bartholomew and Stafford and Co. Stone lithography (or offset printing that produced an effect very similar to stone litho) can be encountered in posters prod...
41″ x 27″ / 40″ x 27″.Portrait format. Slightly shorter than the U.S. equivalent. This format was occasionally produced instead of, or as well as a quad. These were sometimes intended for foreign release of British films but were also used for display in British cinemas. Many posters for Ealing comedies, Hammer horror and Carry On films were also produced in this format. Quite scarce prior to 2000 but a format that has become more common since that date.
30″ x 20″.EXTREMELY RARE COMPARED TO A QUAD. Portrait format but very occasionally printed in the landscape style. Half the size of a quad. Printed on heavy paper stock. Distributed for advertising out-of-house and frequently displayed on buses, community notice boards and similar venues. Quite scarce.
41″ x 27″ / 40″ x 27″.(From the mid-1980s they were also produced in 27″ x 40″ inches size for international distribution). Printed on fairly light paper stock. Invariably machine folded prior to 1985. The steel offset printing process was used from a fairly early stage in U.S. poster production and so stone-litho examples tend to date from prior to 1940. Typical printers include Morgan Litho and Tooker Litho. From around the 1940s onwards most U.S. posters were distributed by National Screen...
81″ x 41″.EXTREMELY RARE COMPARED TO A ONE SHEET. They were produced in 2 or, occasionally, 3 sections (although there are some late examples that comprise a single sheet). Intended for foyer display and for pasting onto small bill-boards. Consequently those that have survived tend to be only those that were never used. This format was only ever printed in relatively small quantities and was discontinued after 1983.
81″ x 81″.They were produced in 4 sections and were intended for pasting onto small bill-boards. Consequently those that have survived tend to be only those that were never used. This format was only ever printed in small quantities and was discontinued after 1983. They are rare.
46″ x 33″.EXTREMELY RARE COMPARED TO A1. Paper stock. Issued folded. This attractive landscape style is quite rare.
33″ x 23″.Paper stock. Twice folded. This was the standard West German film poster size from 1945 onwards. East German posters, however, are produced in various different sizes in addition to the standard ones. Unlike East German posters, West German posters are rarely dated after 1945 but from 1953 onwards West German posters carry an FSK stamp. The design of the stamp changed in 1958 and this can be used as an aid to dating. German posters art typically produced by stone-lithography prior t...
23″ x 16″.EXTREMELY RARE COMPARED TO A1. Paper stock. Folded. Quite scarce.
58″ x 40″.EXTREMELY RARE COMPARED TO B2. Paper stock. Printed in a vertical format and is double the size of a standard B2 size poster. Very scarce.
40″ x 29″.RARE COMPARED TO B2. Paper stock. Most often a double sided version of the B2 poster, often printed in a vertical format but sometimes printed in a horizontal format with different artwork. Quite scarce.
29″ x 20″.Paper stock. Most often used poster size for Japanese posters.
French Double Grande
94″ x 63″.EXTREMELY RARE COMPARED TO A FRENCH GRANDE. Paper stock. Always folded. These are huge landscape format posters that include some of the most visually striking posters ever produced. They were designed for pasting to walls and small bill-boards. Rare.
63″ x 47″.Paper stock. Always folded. This is the standard French cinema poster although at various times French posters have been issued in a bewildering array of different sizes and formats. Modern posters for American films frequently use the studio artwork and are little more than larger versions of the U.S. one-sheet. Prior to the mid-1970s, however, French posters featured magnificent, independent designs by poster artists, such as Jean Mascii, Rene Peron, Boris Grinsson, Roger Soubie a...
47.2″ x 31.5″.Paper stock. They are referred to as Half Grande because they are half the size of the Grande but printed in a horizontal style. This size is generally used as reissues.
39″ x 28″.Paper stock. Equivalent to US and UK one sheet.
55″ x 39″.Paper stock. Always folded. As with French posters, the attraction of Italian film posters lies in the different, often superior, artwork that was commissioned for their design. Notable Italian poster artists include Anselmo Ballester, Alfredo Capitani and Luigi Martinati. Prior to 1966 they were undated but after that date they carry a first edition or year of edition date. It is important to bear in mind that these are the original dates of release of the film and not necessarily...
79″ x 55″.Paper stock. Always folded. Usually issued in 2 sections and intended for pasting to small bill-boards. The 4 Foglio (or Quatro) almost always carries artwork that differs from the 2 Foglio (or Duo) which was often commissioned from a completely different artist.
33″ x 23″.Paper stock. Issued in batches that had one horizontal fold across the centre. Examples from the outside of the batch have a less sharp foldline than those from the inside of the batch. This was the standard size until 1977, after which date the size was increased to 39″ x “26”. Posters produced prior to 1977 were produced on cheaper, thi...
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This Digital Prints item is sold by NorthWindPosters. Ships from Poland. Listed on 02 Nov, 2023
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