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Mar 9, 2018 · ‘Collateral’ Review: Carey Mulligan Is Fantastic in Netflix UK Detective Drama That Reaches Far Beyond London. The four-part BBC co-production looks outside of the murder mystery formula for a...
- Steve Greene
Dec 13, 2016 · Rating: 3.5 out of 5. Edward Norton Helen Mirren Keira Knightley Will Smith. Edward Douglas. Collateral Beauty is a deeply philosophical and moving dramedy elevated by its skilled, all-star...
Watch Collateral — Season 1 with a subscription on Netflix, or buy it on Prime Video. Collateral 's social commentary is sometimes overbearing, but strong performances cut through an...
- (42)
- Carey Mulligan
- S.J. Clarkson
- February 12, 2018
Adam Chitwood reviews the compelling and insightful BBC-produced British murder mystery 'Collateral', now on Netflix and starring Carey Mulligan as a detective investigating a suspicious killing.
- Carey Mulligan's Di Kip Glaspie Saves The Day
- Snobbish Mi5 Man Sam Spence Is Outwitted
- John Simm's self-pitying Mp Found A Backbone
- Nicola Walker's Lesbian Vicar Chooses The Church
- Soldier and Shooter Sandrine Goes AWOL
- Kip Glaspie Botches Her Suicide Intervention
- Mona Asif Has Her Baby – with Fatima at Her Side
- "Pimlico Travel" Operator and People Smuggler Peter Westbourne Gets Away
It is Carey Mulligan who carries this series and makes Collateral such an enthralling watch. The Oscar-nominated actress is excellent as a determined detective with a wry smile and a plan, who keeps her cool and her counsel. In the final episode, she's in trouble with her boss: to get the information she needs about the people-smuggling operation a...
John Heffernan is so, so good at playing twits and bastards and pompous know-it-alls. In The Crown he is the Queen's critic Lord Altrincham; in Outlander he is sneering Redcoat Lord Thomas; in The Loch he is unpleasant doctor Simon Marr. In his hands, MI5's Sam Spence becomes the ultimate villain. Sam forges a relationship with Kip's dissatisfied s...
Even if you agree with his politics, shadow transport secretary David Mars (John Simm) has been consistently annoying since episode one. He is prone to lecturing his estranged wife Karen (Billie Piper) and yet never quite untangles himself from their disastrous relationship, letting her order him around and wind him up. He's also spent the whole se...
Ever since the Bishop turned up in her kitchen with an ultimatum, Jane Oliver (Nicola Walker) has been struggling to decide what to do. Should she stay with her Korean girlfriend Linh (Kae Alexander), who is illegally in the country and was caught high on drugs when she witnessed the murder? If so, she'll have to give up her position in the Church ...
Ever since she carried out the assassination on behalf of family friend (and secret people smuggler) Peter, Captain Sandrine Shaw has been unravelling. She is struggling with the vivid memory of her friend's death in combat, and with her uncertainty over whether she has killed the right pizza delivery boy, and in episode two she is blackmailed and ...
By this point, Kip Glaspie has pieced everything together after interrogating Berna Yalaz (Maya Sansa): the soldier who the police have been told is AWOL from the Royal Surrey Artillery is, in fact, the same one who committed the murder on the orders of a British people smuggler. And that soldier is Captain Sandrine Shaw. And where is Captain Shaw?...
We may have had two deaths, but the series ends with a birth. Mona Asif, who was raped in Iraq and forced to flee as a refugee, goes into labour at Harsfleet detention centre and is taken to hospital where she gives birth to a baby girl.
In the final episode the police work out that former military man Peter Westbourne (Richard McCabe) is a people smuggler, operating under the cover of "Pimlico Travel". But by the time the police raid his offices, he is gone. With his Turkish henchmen in custody and his identity exposed, the game is up for Peter. But for now at least, he has escape...
- Eleanor Bley Griffiths
Well-meaning but fundamentally flawed, Collateral Beauty aims for uplift but collapses in unintentional hilarity. Read Critics Reviews
- (186)
- Drama, Fantasy
- PG-13
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An advertising executive wrestling with grief finds meaning by writing letters to unconventional recipients as caring colleagues plot a ruse. Watch trailers & learn more.
