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Nationality. French. Occupation. Cinematographer. Years active. 1982–present. Éric Gautier (born 2 April 1961) is a French cinematographer. He has received numerous accolades for his work, including a César Award for Those Who Love Me Can Take the Train and an Independent Spirit Award for The Motorcycle Diaries .
Barbara Eden (born Barbara Jean Morehead; August 23, 1931 [1]) is an American actress and singer, who starred as the title character in the sitcom I Dream of Jeannie (1965–1970). Her other roles included Roslyn Pierce opposite Elvis Presley in Flaming Star (1960), Lieutenant (JG) Cathy Connors in Voyage to the Bottom of the Sea (1961), and a ...
Apr 20, 2021 · By Graham Watts, 20 April 2021. This project by Gautier Dance, the resident company at Theaterhaus Stuttgart, promised 17 brief films wrapped around the theme of The Dying Swan, each a solo made by a different choreographer. For some unknown reason, the penultimate film in the series has been deleted, thus introducing a surprise element of ...
Éric Gautier (born 2 April 1961) is a French cinematographer. He has received numerous accolades for his work, including a César Award for Those Who Love Me Can Take the Train and an Independent Spirit Award for The Motorcycle Diaries. Gautier was born and raised in Paris; he grew up in eleventh, twelfth, nineteenth, and twentieth arrondissements with his construction engineer father, mother ...
Apr 3, 2019 · “Ash Is Purest White,” the English title of Jia Zhangke’s exquisite and ferocious new movie, references a conversation between a woman, Qiao (Zhao Tao), and her boyfriend, Bin (Liao Fan), as ...
Eric Gautier. Cinematographer: The Motorcycle Diaries. Eric Gautier was born on 2 April 1961 in Paris, France. He is a cinematographer, known for The Motorcycle Diaries (2004), Into the Wild (2007) and Ash Is Purest White (2018).
Oct 11, 2010 · Assayas’ cinematographer, Eric Gautier, who also shot Patrice Chéreau’s Ceux qui m’aiment prendront le train (Those Who Love Me Can Take the Train, 1998), Intimacy (2001) and Gabrielle (2005), and more recently, Sean Penn’s Into the Wild (2007), Alain Resnais’ Les herbes folles (Wild Grass, 2008) and Ang Lee’s Taking Woodstock (2009), gives discomfort its own visual language, its ...
