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French film director and screenwriter
- Alain Resnais (French: [alɛ̃ ʁɛnɛ]; 3 June 1922 – 1 March 2014) was a French film director and screenwriter whose career extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct short films including Night and Fog (1956), an influential documentary about the Nazi concentration camps.
en.wikipedia.org/wiki/Alain_Resnais
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Alain Resnais (French: [alɛ̃ ʁɛnɛ]; 3 June 1922 – 1 March 2014) was a French film director and screenwriter whose career extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct short films including Night and Fog (1956), an influential documentary about the Nazi concentration camps.
Alain Resnais (born June 3, 1922, Vannes, France—died March 1, 2014, Paris) was a French motion-picture director who was a leader of the Nouvelle Vague of unorthodox, influential film directors appearing in France in the late 1950s.
French film director Alain Resnais has had one of the longest careers as a film director, having started making films when he was 14 years old, and continuing to make them today. He is closely associated with the filmmaking movement the French New Wave, and remains as one of France’s great directors and a major influence on contemporary film.
Alain Resnais was born on 3 June 1922 in Vannes, Morbihan, France. He was a director and editor, known for Hiroshima Mon Amour (1959), Same Old Song (1997) and My American Uncle (1980). He was married to Sabine Azéma and Florence Malraux.
- June 3, 1922
- March 1, 2014
May 11, 2018 · French film director Alain Resnais (born 1922) was one of the most noted innovators in the history of twentieth-century film. His many film credits include Night and Fog, Hiroshima, Mon Amour, and Marienbad.
Alain Resnais (June 3, 1922 - March 1, 2014) was an internationally acclaimed film director, associated with both the Left Bank Group and the Nouvelle Vague, whose unforgetable images have become part of the fabric of film history.
Married in Scarborough, mocked on Steptoe and Son: the most unpredictable of the French New Wave directors mixed high intellectualism and irreverence.
