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4 days ago · Featuring non-stop music from electronic to jazz to good ol’ rock n’ roll, the festival offers an opportunity for everyone and anyone to enjoy the celebration. Complemented by art shows, film scores, talks, happy hours, after hours and more, Noise Pop truly champions independent culture.
Noise Pop. 4,777 releases. Arose in the mid-1980s; blend of poppier Rock songwriting and melodies with the dissonant, noisy timbres of distorted guitars and frequent use of guitar feedback. Read more groups started to use more distortion.
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Sonically, it’s what happens when you are unkind to an electric guitar at ear-splitting volume. Maybe you bang some unusual percussion together as well—pots, pans, car mufflers, etc. Basically, you have no respect for the 12-note scale, melody, rhythm and all those other musical niceties. You may have no skill whatsoever or all the chops of the mos...
Since discharging wounded banshee shrieks from her throat and a Fender guitar with Teenage Jesus And The Jerks in 1977, Lydia Lunchinforms noise as Iggy Pop informs punk. It all essentially starts with her. She’s refined her assault—musical and literary—in countless forms since. Including 8 Eyed Spy’s atonal swamp rock, her Queen Of Siamsolo album’...
Like Lunch and other NYC no wavers, British industrial pioneers Throbbing Gristlesaw some promise in early punk but were ultimately disappointed that it all boiled down to more rock ’n’ roll. They evolved from performance-art troupe COUM Transmissions, fronted by Genesis P-Orridgeand Cosey Fanni Tutti. Live, they confronted audiences with ugly imag...
Four San Francisco punk vets, Flipperassembled in 1979 in reaction to the scene’s increasing orthodoxy. As hardcore urged music to get louder and faster, Flipper opted to crank the volume knobs to 12 and break them off. Then they dropped tempos to the pace of molasses poured in the Antarctic. Guitarist Ted Falconi reduced his attack to a more disto...
Einstürzende Neubauten, roughly translated, is German for “collapsing new buildings.” These West Berliners were a lotta fun back in the ’80s, banging around on car doors and steel pipes with hammers, maybe applying a grinder or a chainsaw to sheet metal. Meanwhile, Blixa Bargeld looked like Sid Vicious’ corpse writhing around in some crazy S&M outf...
Meet noise’s MC5 or New York Dolls. With their overamplified junk shop guitars strung with piano wire or whatever they could afford, tuned to anything but A440, banged with screwdrivers or hammers, guitarists Thurston Mooreand Lee Ranaldo could raise some truly hideous tonalities. Their innovation was pairing this rethink of rock guitar with the po...
These acid-drenched Texans were the freakiest, most fearsome rolling roadshow of the mid-’80s. Butthole Surferswere a total assault on the mind: Drummers King Coffey and Teresa Nervosa bashing their kits standing up; Paul Leary pulling queasy chords outta his Stratocaster; and psychotic 6’5” frontman Gibby Haynes, the son of Dallas kids’ show host ...
The brainchild of future ’90s recording genius (Nirvana, Pixies) Steve Albini, everything about Chicago’s Big Blackwas designed to be an assault. For starters, there’s their drummer: a Roland TR-606, run through a clapped-out PA system pushed to its limits, so the beat was as abrasively distorted as Albini and Santiago Durango’s guitars. Or Dave Ri...
Four surly Scotsmen dressed in black, the Jesus And Mary Chainsomehow balanced a love of ’60s pop, punk and garage with a desire to create the most obnoxious racket they could muster. This involved future Primal Screamfrontman Bobby Gillespie beating the shit outta two and four on a minimal drumkit, William Reid abusing a cheap Japanese fuzzbox and...
Mid-’80s Washington, D.C. emigrates to the Lower East Side, Pussy Galorebrought the rock ’n’ roll and punk attitudes back to noise. Fronted by future Blues Explosion mastermind Jon Spencer, PG raised an unholy din not dissimilar to putting a copy of the Nuggets’60s garage comp and some scuffed-up Rolling Stones45s through a meat grinder. It helped ...
- Tim Stegall
Jun 25, 2012 · An early predecessor of indie rock, the noise-pop subgenre embodies the yin and yang of melody and dissonance. Hear a mix of 100 remarkable and influential songs.
Noise pop often has a hazy, narcotic feel, as melodies drift through the swirling guitar textures. But it can also be bright and lively, or angular and challenging. Noise pop's earliest roots lie in the Velvet Underground's experiments with feedback, distortion, and drones.
The Sound of Noise Pop · Playlist · 275 songs · 5.3K likes.
Noise pop is a term used to loosely describe a strain of alternative rock that fuses punk rock's attitude and anger with the atonal noise, feedback, and free song structures of noise music, presented in a decidedly pop context.
