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      • But, no. It’s supposed to be a real Western, starring Howard Spence (Sam Shepard), a once-great Western star, now disappearing into cocaine and booze after a lifetime of scandal.
      www.rogerebert.com/reviews/dont-come-knocking-2006
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  2. Don't Come Knocking is a 2005 American western film directed by Wim Wenders, and written by Wenders and Sam Shepard. [1] They had previously collaborated on the film Paris, Texas (1984). [2] It was submitted at the 2005 Cannes Film Festival. [3]

  3. With James Roday Rodriguez, Jeffrey Vincent Parise, Majandra Delfino, Marieh Delfino. An aging cowboy movie star deserts a film set and tries to reconnect with his mother, whom he hasn't seen in thirty years, only to learn that he has a child he never knew about.

    • (8K)
    • Drama, Music
    • Wim Wenders
    • 2005-08-25
  4. Feb 14, 2006 · Don’t Come Knocking, from a screenplay by Sam Shepard, based on a story by Shepard and director Wim Wenders, is a sequel to Paris, Texas, made in 1984.

  5. Apr 6, 2006 · But, no. It’s supposed to be a real Western, starring Howard Spence (Sam Shepard), a once-great Western star, now disappearing into cocaine and booze after a lifetime of scandal. “Don’t Come Knocking” was written by Shepard and directed by Wim Wenders; they wrote and directed the great “ Paris, Texas ” (1984).

  6. Oct 26, 2017 · Despite the film’s false notes, its balladlike moods ring true. (BAM Cinématek, Nov. 4, and streaming) Published in the print edition of the November 6, 2017, issue.

    • Condé Nast
  7. Apr 24, 2006 · Don't Come Knocking (2006) Over two decades after Paris, Texas, director Wim Wenders and screenwriter Sam Shepard re-team for the similarly themed but less convincing Don't Come Knocking.

  8. Feb 24, 2006 · In Don’t Come Knocking, the second collaboration between Wenders and Shepard, the latter plays the lead himself. He’s still a very handsome, striking man, but emotionally he’s blocked. That’s what the story of the film is really about, but Shepard can’t play repression as an actor, as he’s unable to make his character’s plight moving or convincing.