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      • Bardo, False Chronicle of a Handful of Truths’ is a fictionalized version of a deeply personal tale. As mentioned above, Alejandro González Iñárritu and his writing partner on this project, Nicolás Giacobone, heavily drew from the filmmaker’s own life to create the rich tapestry of Silverio’s existence.
      thecinemaholic.com/is-bardo-based-on-the-true-story-of-alejandro-gonzalez-inarritus-life/
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  2. Dec 16, 2022 · Like Silverio in the movie, Iñárritu, a Mexican immigrant himself, has lived in Los Angeles for about two decades. If all this has made you wonder whether ‘Bardo, False Chronicle of a Handful of Truths’ is based on the true story of Alejandro González Iñárritu’s life, here is what you need to know.

  3. Bardo, False Chronicle of a Handful of Truths (Spanish: Bardo, falsa crónica de unas cuantas verdades), or simply Bardo, is a 2022 Mexican epic psychological black comedy-drama film co-written, co-scored, edited, produced, and directed by Alejandro G. Iñárritu. [2]

  4. Nov 3, 2022 · Bardo,” shot in wide-screen 65 millimeter through lenses that seem to warp the edges of the frame, is full of arresting, hallucinatory sequences that linger in the mind long after Silverio ...

    • Alejandro G. Iñárritu
  5. Nov 23, 2022 · One of the questions that “Bardo” leaves you with is whether Iñárritu, after years of enviable Hollywood success, now feels estranged from the country he left behind.

    • Vivian Maier
    • The Labyrinth of Solitude
    • The Phantom of Liberty
    • The Lamb Lies Down on Broadway
    • David Bowie

    The Chicago-based photographer, whose prolific work was discovered shortly before her death in 2009, captured hundreds of thousands of images of everyday people she encountered while exploring the Midwestern city. While most of her work was in black and white, Iñárritu says that her color photographs inspired the film’s palette, particularly during...

    Iñárritu considers Octavio Paz one of the greatest Mexican writers. “This is the most accurate description of the feeling of being Mexican, no matter where you are in your country or outside the country,” says the director. “He wrote it when he was living in Europe, with a distance that it requires. … For me, it’s a bible or an X-ray of a Mexican s...

    The great surrealist auteur Luis Buñuel, who made films in France, Mexico and his native Spain, was a major influence on Iñárritu. The Bardo director says Buñuel’s 1974 dark comedy, a series of vignettes skewering social mores and ideals, is a particular favorite. “It is the most sophisticated, liberating way to do a film with no narratives or with...

    Iñárritu says he was an avid fan of the progressive rock movement, and this 1974 concept album by Genesis — the band’s last to feature original frontman Peter Gabriel — tells the story of Orion, a Puerto Rican immigrant living in New York who confronts questions about his identity. The evocative cover art, designed by English design group Hipgnosis...

    A crucial moment in the film is a sequence in which Gama and his family party to Bowie’s “Let’s Dance.” Iñárritu says that song in particular exudes joy and makes the listener, in his words, “almost want to smile to death.” In the film, the track is stripped down to just Bowie’s vocals, creating an otherworldly sense as Gama loses himself in the mu...

  6. Dec 16, 2022 · Bardo, False Chronicle of a Handful of Truths’ is a film about immigration, identity, family, art, memory, and dream. Its non-linear narrative reaches its zenith with the revelation that the main character, Silverio, is currently in a coma, and his family has decided to bring him to Mexico.

  7. Dec 16, 2022 · “Bardo’s” subtitle is: “False Chronicle of a Handful of Truths.” Can it be said that a handful of truths are true? Don’t we speak of “the whole truth”? Isn’t the idea of fiction that it can provide a true perspective we miss in the midst of all of the “facts” around us?