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Adrian Chmielarz (born 1971 in Lubin [1]) is a Polish video game designer, programmer, creative director, producer and writer specializing in adventure games and first-person shooters. Chmielarz has co-founded and led Metropolis Software, People Can Fly and The Astronauts. He is one of the most prominent Polish video gaming figures, and has ...
Apr 18, 2016 · Polish designer Adrian Chmielarz is a man who has split gamer opinion right down the middle. On one hand, his playable output is widely revered. ... Nobody is actually ringing the death-bell for ...
Oct 26, 2022 · The fight did not last long. Whether half a dozen or two it makes no matter – they are a meagre challenge for even a half-dead preyer. Before death, each of the thugs had a chance to see wonders they had never before experienced. My revolver, spitting out hot metal. The sight of my form teleporting from one slit gut to another.
Dec 12, 2014 · Adrian Chmielarz: Games being awesome got me into games. As for me, I am a Polish game developer who was the creative director and co-owner of People Can Fly (Painkiller, ...
Feb 27, 2015 · TechRaptor recently reached out to Adrian Chmielarz, the Co-owner/Creative Director at The Astronauts, developers of the TechRaptor approved The Vanishing of Ethan Carter, who was gracious enough to spend time answering our questions. In the interview below we asked Adrian about game development, traditional gaming media and #GamerGate, as well as other gaming industry related topics.
Adrian Chmielarz. One of the most recognisable Polish video game creators, co-author of, among others, The Mystery of the Statuette, Teenagent, Painkiller, Bulletstorm, and The Vanishing of Ethan Carter. Born in 1971 in Lubin. Chmielarz started creating games in 1986, when he went to high school. His first experiments in coding did not stand a ...
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May 2, 2013 · Adrian Chmielarz left Bulletstorm developer People Can Fly in August last year to found his new studio The Astronauts. It didn't take long for the rumour mill to start wildly speculating as to why.
