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The Situationist International (SI) was an international organization of social revolutionaries made up of avant-garde artists, intellectuals, and political theorists. It was prominent in Europe from its formation in 1957 to its dissolution in 1972.
- Summary of Situationist International
- Key Ideas & Accomplishments
- Beginnings of Situationist International
- Concepts and Styles
- Later Developments - After Situationist International
- Legacy
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The world we live in is governed by unexamined and unrecognized cultural forces, which can only be undone through engineering radically different situations from which to reflect. This was the key concept behind the Situationist International (also known as SI), a group of left-wing artists and activists whose practices were designed to unsettle an...
The Situationist International was a radical movement devoted to the disruption and reimagining of the systems which govern everyday life, growing out of several already existing political groups....Situationism valued the decentralization of creation, with artists working in collaboration or under shared names to undermine the notion of the single genius or visionary. This has gone on to be o...Architecture and human geography were key influences on the movement and the art that came out of it, with maps in particular offering an opportunity to subvert the way people think about the space...The notion of "Spectacle", originally outlined by Guy Debord in various Situationist writings, is key to understanding both the conceptual underpinnings of SI and its enduring legacy. The idea of a...From the Italian "Internazionale Situazionista," the Situationist International is often also referred to as Situationism. "Situationism" as a name refects the group's emphasis on the "construction of situations", as they created environments that they believed would facilitate revolutionary change. Influenced by Dada, Surrealism, and Marxism, the ...
Psychogeography and Dérive
Debord defined psychogeography in 1955 as "the study of the precise laws and specific effects of the geographical environment, consciously organized or not, on the emotions and behavior of individuals." His concept was influenced by Ivan Chtcheglow's "Formulaire pour un urbanisme nouveau" ("Formula for a New Urbanism") (1953). Debord advocated for, "active observation of present-day urban agglomerations, "to discover how environments effected the behavior and feelings of individuals and, conv...
Détournement
Guy Debord's concept of détournement emphasized superimposing revolutionary content on mainstream images and text to subvert commodity capitalist culture. In the User's Guide to Détournement (1956) Guy Debord and Gil Wolman wrote: "The literary and artistic heritage of humanity should be used for partisan propaganda purposes...Since opposition to the bourgeois notion of art and artistic genius has become pretty much old hat, [Marcel Duchamp's] drawing of a mustache on the Mona Lisa is no more...
Spectacle
Debord defined "spectacle", as "not the domination of the world by images or any other form of mind-control but the domination of a social interaction mediated by images". His book Society of the Spectacle (1967) in particular was ground-breaking and widely influential. In it he argued that "all real relationships having been replaced by that of relationships with commodities, and where commodities have a life of their own". Détournement, derive, and psychogeography were seen as ways to inter...
Situationist International essentially came to an end due to revolutionary disappointment. During the May 1968 uprising, disputes over political strategies and goals broke out between various revolutionary groups. Marxists viewed the popularity of SI's subversive posters and détournedcomic strips as deriving from the bourgeois hope to reform the ca...
Situationist art influenced both contemporary artists and subsequent generations of artists. Pinot-Gallizio's industrial paintings, installed as an immersive environment, were seen as precursors of environmental art and happenings, for example. Jorn's repurposing of images influenced Alexis Smith, Jim Shaw, Enrico Bai, Lee Krasner, Lorna Simpson, G...
Learn about the radical movement of Situationist International, a group of artists and activists who disrupted the systems of consumerist homogeneity in late 20th century Western society. Explore their key ideas, artistic practices, and legacy in the current moment of late capitalism.
Situationist International (SI), group of artists, writers, and social critics (1957–72) that aimed to eliminate capitalism through the revolutionization of everyday life. Instead of focusing on traditional sites of economic and social change, such as the factory, the Situationist International.
- The Editors of Encyclopaedia Britannica
Learn about the Situationist International, a revolutionary alliance of European avant-garde artists, writers and poets who critiqued capitalism and consumer society. Find out their history, members, ideas and influence on the Paris events of 1968.
Feb 8, 2023 · Explore the searchable library of Situationist texts, biographies, and links to related resources. Find works by Debord, Vaneigem, and other Situationists in French and English.
The Situationist International was founded in 1957 by a small and het-erogeneous group of European artists based mostly in Paris. Its review, Internationale situationniste, published from 1957 to 1969, became the main organ for the diffusion of its revolutionary ideas and practices. The
Founded in July 1957, the Situationist International brought together currents of experimental poetry, avant-garde art, and radical social criticism to explore new techniques of engagement in cultural protest and revolutionary praxis.
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