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  1. The red pill and blue pill are metaphorical terms representing a choice between learning an unsettling or life-changing truth by taking the "red pill" or remaining in the contented experience of ordinary reality with the "blue pill". In Freudian psychology, the corresponding principles are the reality principle and the pleasure principle. [1]

  2. en.wikipedia.org › wiki › The_Red_PillThe Red Pill - Wikipedia

    The Red Pill is a 2016 American documentary film directed by Cassie Jaye. The film explores the men's rights movement , as Jaye spends a year filming the leaders and followers within the movement. It premiered on October 7, 2016 in New York City , followed by several other one-time screenings internationally.

  3. May 27, 2020 · The “red pill” came into prominence as a way to break free of mental slavery in the 1999 movie, “The Matrix.”. In a new essay, Julian Walker points out Neo’s powers only worked inside of ...

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  5. Red and blue capsule pills, like the ones shown in The Matrix (1999) The terms " red pill " and " blue pill " refer to a choice between the willingness to learn a potentially unsettling or life-changing truth, by taking the red pill, or remaining in contented ignorance with the blue pill. The terms refer to a scene in the 1999 film The Matrix .

  6. May 26, 2011 · The Matrix movie clips: http://j.mp/1uuZTz5BUY THE MOVIE: http://bit.ly/2c8JJpyDon't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6prCLIP DESCRIPTION:Mor...

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  7. Documentary Film. On October 12th, 2015, filmmaker Cassie Jaye launched a crowdfunding campaign on Kickstarter [15] to fund a documentary titled The Red Pill: A feminist 's journey into the Men's Rights Movement. By November 11th, the campaign raised more than $211,000 of its $97,000 goal. On October 7th, 2016, the film premiered at the Cinema ...

  8. May 17, 2020 · The red pill and the blue pill in ‘The Matrix’. In the 1999 hit movie, The Matrix, Neo (Keanu Reeves) is abruptly pulled from his reality and given a choice. Morpheus (Laurence Fishburne ...

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