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Oklahoma! Robert L. Surtees (August 9, 1906 – January 5, 1985) was an American cinematographer who won three Academy Awards for the films King Solomon's Mines, The Bad and the Beautiful and the 1959 version of Ben-Hur. Surtees worked at various studios, including Universal, UFA, Warner Brothers, and MGM, lighting for notable directors Howard ...
Cinematographer: Ben-Hur. Robert L. Surtees began his working life as a portrait photographer and retoucher, before becoming camera assistant at Universal in 1927. He spent a lengthy apprenticeship (15 years) working under such experienced cinematographers as Hal Mohr, Joseph Ruttenberg and Gregg Toland. Between 1929 and 1930, he was seconded ...
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Robert Surtees. Cinematographer: Ben-Hur. Robert L. Surtees began his working life as a portrait photographer and retoucher, before becoming camera assistant at Universal in 1927. He spent a lengthy apprenticeship (15 years) working under such experienced cinematographers as Hal Mohr, Joseph Ruttenberg and Gregg Toland. Between 1929 and 1930, he was seconded to the Universal studios in Berlin ...
- August 9, 1906
- January 5, 1985
From Wikipedia, the free encyclopedia Robert L. Surtees, A.S.C. (August 9, 1906 – January 5, 1985) was an American cinematographer who won Academy Awards three times, for the films King Solomon's Mines, The Bad and the Beautiful and the 1959 version of Ben Hur. Robert L. Surtees began working in Hollywood as assistant cameraman to Gregg Toland, A.S.C. in the late 1920s, before moving to ...
Nov 26, 2023 · Veteran cinematographer Robert Surtees, ASC’s camerawork in The Graduate was described by AC editor-in-chief Herb A. Lightman as “rule-breaking mad, Mod visual acrobatics” in his Feb. 1968 article “Cinematographer with a Split Personality.”. He went on, describing that the 1967 feature has “been realized on film with a photographic ...
Obituary in American Cinematographer (Hollywood), March 1985. American Cinematographer (Hollywood), August 1986. * * * Robert L. Surtees's career as a cameraman spanned almost 50 years—from camera assistant in the late 1920s to cinematographer on his last film in 1978, from the silent era to the new Hollywood.
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THE LONG, LONG TRAILER, Lucille Ball looks through the camera as cinematographer Robert Surtees stands behind her, 1954 OKLAHOMA!, cinematographer Robert Surtees, with 128-degree TODD-AO camera ...
