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  1. This is the first version of this compilation's pressing on the dark blue label with silver print and trident logo on right. While the cover gives a reissue production credit, it is actually for remastering the music, some from original 78s where no original master tapes existed. Recording dates & original 78rpm issues:

    • (5)
    • US
    • 11
    • 1967
  2. en.wikipedia.org › wiki › PrezervationPrezervation - Wikipedia

    Prezervation is a compilation album by saxophone player Stan Getz and pianist Al Haig. It was released in January 1968 and includes performances recorded between 1949 and 1950. The album features both instrumental and vocal pieces. Whilst the first eight pieces had been available on LP before, tracks 9–12 were unissued at the time of the ...

  3. May 16, 2007 · Selection #1 recorded June 21, 1949; #2-5 July 28, 1949; #6-8 January 6, 1950; #9-12 February 27, 1950. All selections recorded in New York City.

    • 4
    • Prestige-UCCO-9109
    • Japan
    • Jazz The Best 超限定¥1,100-109
  4. Margrethe Blossom Dearie (April 28, 1924 – February 7, 2009) was an American jazz singer and pianist. She had a recognizably light and girlish voice. Dearie performed regular engagements in London and New York City over many years and collaborated with many musicians, including Johnny Mercer, Miles Davis, Jack Segal, Johnny Mandel, Duncan Lamont, Bob Dorough, Dave Frishberg, and Jay Berliner.

  5. Blossom Dearie (vo), Stan Getz (ts), Kai Winding (tb),Al Haig (p), Jimmy Raney (g,vo),Tommy Potter (b), Roy Haynes (ds)Album:" Stan Getz / Prezervation " Rec...

    • 3 min
    • 1326
    • rujazz
  6. Prezervation - Stan Getz/Al Haig/Jimmy Raney/Gene Ramey/Roy Haynes: 2: Pinch Bottle - Stan Getz/Al Haig/Kai Winding/Jimmy Rainey/Tommy Potter/Roy Haynes: 3: Earless Engineering - Stan Getz/Al Haig/Kai Winding/Jimmy Rainey/Tommy Potter/Roy Haynes: 4: Be Still, TV - Blossom Dearie/Jimmy Raney/Stan Getz/Kai Wnding/Al Haig: 5

    • (2)
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  8. Apr 28, 2024 · 899. Blossom Dearie. Back in the day I saw Blossom Dearie live at Ronnie Scott’s and it’s probably true to say I was underwhelmed. I’d gone with a friend who was an admirer, and it wasn’t clear, to me, at least, what all the fuss was about. I found her something of a one-trick pony with little or no charisma, a female Tiny Tim, if you ...