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  1. Vladimir Rostislavovich Gardin (Russian: Влади́мир Ростисла́вович Га́рдин) (born Vladimir Rostislavovich Blagonravov (Благонра́вов); 18 January [O.S. 6 January] 1877 – 28 May 1965) was a pioneering Russian film director and actor who strove to raise the artistic level of Russian cinema.

  2. Vladimir Gardin was born on 18 January 1877 in Moscow, Russian Empire [now Russia]. He was an actor and director, known for War and Peace (1915), Peterburgskiye trushchobi (1915) and Landlord (1924). He was married to Tatyana Bulakh.

    • January 1, 1
    • Moscow, Russian Empire [now Russia]
    • January 1, 1
    • Actor, Director, Writer
  3. Vladimir Gardins 1925 anti-clerical film The Cross and the Mauser (Krest i mauzer, discussed below), which became the archetype for future cinematic depictions of Poles, was released during a Soviet anti-religion campaign that especially targeted the (overwhelmingly Polish) Catholic clergy in the Ukrainian and Belarusian republics (Palko ...

  4. Vladimir Gardin was a Russian Soviet author and director. He was born on 18 January 1877 in Moscow (according to other sources, in Tver). In 1894, he completed a Cadet Corps training course and graduated from Riga Polytechnic Institute.

  5. Vladimir Gardin. Vladimir Rostislavovich Gardin (Russian: Влади́мир Ростисла́вович Га́рдин) (born Vladimir Rostislavovich Blagonravov (Благонра́вов); 18 January [O.S. 6 January] 1877 – 28 May 1965) was a pioneering Russian film director and actor who strove to raise the artistic level of Russian ...

  6. Dec 4, 2023 · Vladimir Rostislavovich Gardin ( Russian: Vladímir Rostislávovich Gárdin) (born Vladimir Rostislavovich Blagonravov (Blagonrávov); 18 January [O.S. 6 January] 1877 – 28 May 1965) was a pioneering Russian film director and actor who strove to raise the artistic level of Russian cinema.

  7. On the one hand, films by Alexander Panteleev, Vladimir Gardin, and Czeslaw Sabinski adapted the new post-revolutionary reality to the established genres and narratives of the Russian prerevolutionary cinema, and the stylistic tradition of the Russian film school was continued not only between 1917 and 1924 but also afterward.