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Thomas Haneke is known for My Generation (2000), He Makes Me Feel Like Dancin' (1983) and Mother Teresa (1986).
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https://www.mewshop.com/ Contact: info@mewshop.com for information and inquiries on classes and events.Tom Haneke Discusses a Scene from the Film "My Generat...
Tom Haneke's work includes Barbara Kopple's Academy Award-winning documentary "American Dream" and "My Generation" (which he also co-directed). Tom edited Fr...
Oct 21, 2014 · Michael Haneke is reluctant to interpret his own films – but now a documentary shines a light on the director and his works, reports Tom Brook. In recent years Haneke’s bleak and often...
- A Cinema of Disturbance: The Films of Michael Haneke in Context
- Welcome to Surmodernité: The Seventh Continent
- From Oedipus to Narcissus: Benny’s Video
- 71 Fragments of A Chronology of Chance
- Funny Games: The Aesthetics of Violence, The Politics of Self-Referentiality
- Michael Haneke’s French Films and The Future of His European Filmmaking
My films are intended as polemical statements against the American ‘barrel down’ cinema and its dis-empowerment of the spectator. They are an appeal for a cinema of insistent questions instead of false (because too quick) answers, for clarifying distance in place of violating closeness, for provocation and dialogue instead of consumption and consen...
Not beautiful photography, not beautiful pictures, but rather necessary pictures, necessary photography. – Robert Bresson In the 1989 edition of Austrian Film, the Austrian Film Commission’s annual promotional booklet on the national film crop, Haneke describes The Seventh Continent, the first film of his “Vergletscherungs-Trilogie” (“glaciation tr...
The digital Narcissus replaces the triangular Oedipus…the clone will henceforth be your guardian angel…consequently you will never be alone again. – Jean Baudrillard (5) The second part of Haneke’s “glaciation trilogy” begins with a buzz and a bang: the white noise of a television screen snow shower and then the bang of a pig being shot on the subs...
The question isn’t “how do I show violence?” but rather “how do I show the spectator his position vis-à-vis violence and its representation?” – Michael Haneke 71 Fragments of a Chronology of Chance (1994) reads like a structuralist exegesis straight from Roland Barthes’ S/Z. The final installment of the “glaciation trilogy” transforms the (true) st...
I try to give back to violence that what it truly is: pain, injury to another. – Michael Haneke Funny Gamesis in a sense an epilogue to Haneke’s glaciation trilogy: this film, like the others that precede it, conducts an investigation of violence and spectatorship. This time around, however, the subject is more a confrontation with the shape of pop...
That does not mean that I will never work in Austria again. But given the not exactly rosy financial working situation in my country it is naturally comforting to be able to fall back on foreign options. – Michael Haneke After the release of Funny Games, Haneke set to work on a project called Wolfszeit (The Time of the Wolf), a film he had written ...
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Michael Haneke (German: [ˈhaːnəkə]; born 23 March 1942) is an Austrian film director and screenwriter. His work often examines social issues and depicts the feelings of estrangement experienced by individuals in modern society. [1] Haneke has made films in French, German, and English and has worked in television and theatre, as well as cinema.
