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  1. * Sound Recording - 20th Century-Fox Studio Sound Department, E. H. Hansen, Sound Director * Writing (Original Screenplay) - Lamar Trotti Actor - Alexander Knox

    • Academy Award for Sound Recording 19451
    • Academy Award for Sound Recording 19452
    • Academy Award for Sound Recording 19453
    • Academy Award for Sound Recording 19454
    • Academy Award for Sound Recording 19455
    • Best Motion Picture
    • Directing
    • Actor
    • Actress
    • Actor in A Supporting Role
    • Actress in A Supporting Role
    • Writing
    • Music
    • Film Editing
    • Cinematography

    Anchors Aweigh – Metro-Goldwyn-Mayer The Bells of St. Mary’s – Rainbow Productions The Lost Weekend – Paramount Mildred Pierce – Warner Bros. Spellbound– Selznick International Pictures

    The Bells of St. Mary’s – Leo McCarey The Lost Weekend – Billy Wilder National Velvet – Clarence Brown The Southerner – Jean Renoir Spellbound– Alfred Hitchcock

    Bing Crosby – The Bells of St. Mary’s Gene Kelly – Anchors Aweigh Ray Milland – The Lost Weekend Gregory Peck – The Keys of the Kingdom Cornel Wilde – A Song to Remember

    Ingrid Bergman – The Bells of St. Mary’s Joan Crawford – Mildred Pierce Greer Garson – The Valley of Decision Jennifer Jones – Love Letters Gene Tierney – Leave Her to Heaven

    Michael Chekhov – Spellbound John Dall – The Corn Is Green James Dunn – A Tree Grows in Brooklyn Robert Mitchum – G. I. Joe J. Carrol Naish – A Medal for Benny

    Eve Arden – Mildred Pierce Ann Blyth – Mildred Pierce Angela Lansbury – The Picture of Dorian Gray Joan Lorring – The Corn Is Green Anne Revere – National Velvet

    The Affairs of Susan – Thomas Monroe, Laszlo Gorog The House on 92nd Street – Charles G. Booth A Medal for Benny – John Steinbeck, Jack Wagner Objective, Burma! – Alvah Bessie A Song to Remember– Ernst Marischka

    “Accentuate The Positive” – Here Come the Waves – Music by Harold Arlen; Lyrics by Johnny Mercer “Anywhere” – Tonight and Every Night – Music by Jule Styne; Lyrics by Sammy Cahn “Aren’t You Glad You’re You?” – The Bells of St. Mary’s – Music by James Van Heusen; Lyrics by Johnny Burke “The Cat And The Canary” – Why Girls Leave Home – Music by Jay L...

    The Bells of St. Mary’s – Harry Marker The Lost Weekend – Doane Harrison National Velvet – Robert J. Kern Objective, Burma! – George Amy A Song to Remember– Charles Nelson

    The Keys of the Kingdom – Arthur Miller The Lost Weekend – John F. Seitz Mildred Pierce – Ernest Haller The Picture of Dorian Gray – Harry Stradling Spellbound– George Barnes

  2. The 17th Academy Awards were held on March 15, 1945 at Grauman's Chinese Theatre, honoring the films of 1944. This was the first time the complete awards ceremony was broadcast nationally, on the Blue Network (later ABC Radio ).

  3. Best Sound Recording. Wilson 20th Century-Fox Studio Sound Department and E.H. Hansen [Sound Director] Best Special Effects. Thirty Seconds over Tokyo A. Arnold Gillespie [Photographic Effects by], Donald Jahraus [Photographic Effects by], Warren Newcombe [Photographic Effects by] and Douglas Shearer [Sound Effects by] Best Writing (Original ...

  4. The 18th Academy Awards were held on March 7, 1946, at Grauman's Chinese Theatre to honor the films of 1945.

    Best Motion Picture
    Best Director
    The Lost Weekend – Charles Brackett for ...
    Billy Wilder – The Lost Weekend ‡ Leo ...
    Ray Milland – The Lost Weekend as Don ...
    Joan Crawford – Mildred Pierce as Mildred ...
    James Dunn – A Tree Grows in Brooklyn as ...
    Anne Revere – National Velvet as Mrs ...
    Marie-Louise – Richard Schweizer ‡ ...
    The Lost Weekend – Charles Brackett and ...
  5. Leo McCarey's The Bells of St. Mary's (with eight nominations and one win - Best Sound Recording), the sequel to the previous year's award-winning Going My Way (1944). This time, the film told the story of an easy-going priest who battles with the Mother Superior of parochial St. Mary's School.

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  7. The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians.

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