Yahoo Web Search

Search results

  1. en.wikipedia.org › wiki › Hanns_KrälyHanns Kräly - Wikipedia

    Hanns Kräly (January 16, 1884 – November 11, 1950), credited in the United States as Hans Kraly, was a German actor and screenwriter. His main collaborations were with director Ernst Lubitsch, and they worked together on 30 films between 1915 and 1929.

  2. Hanns Kräly. Hanns Kräly, in den USA Hans Kraly, (* 16. Juni 1884 als Jean Kräly in Hamburg [1]; † 10. November [2] 1950 in Los Angeles) war ein deutscher Schauspieler und Drehbuchautor. Er arbeitete von 1915 bis 1929 an 30 Filmen gemeinsam mit dem Regisseur Ernst Lubitsch .

  3. www.imdb.com › name › nm0473134Hanns Kräly - IMDb

    Hanns Kräly was born on 16 January 1884 in Hamburg, Germany. He was a writer and actor, known for The Patriot (1928), One Hundred Men and a Girl (1937) and The Last of Mrs. Cheyney (1929). He died on 11 November 1950 in Los Angeles, California, USA.

    • Hanns Kräly
    • November 11, 1950
    • January 16, 1884
  4. Hanns Kräly, credited in the United States as Hans Kraly, was a German actor and screenwriter. His main collaborations were with director Ernst Lubitsch, and they worked together on 30 films between 1915 and 1929.

    • January 16, 1884
    • November 11, 1950
  5. Cleverly manipulating literature and history, Kräly turned Anne Boleyn, Dubarry, and Carmen into archetypal Negri women—trashy, treacherous, irresistible. Intrigued in particular by Passion, Lubitsch and Kräly's version of the Dubarry story, Mary Pickford invited Lubitsch to America in 1922, and Kräly soon joined him.

  6. Hanns Kräly is known as an Writer, Screenplay, Actor, Story, Scenario Writer, Dialogue, Adaptation, Idea, Additional Writing, and Novel. Some of his work includes The Doll, The Oyster Princess, I Don't Want to Be a Man, The Wildcat, Sumurun, It Started with Eve, Anna Boleyn, and The Eyes of the Mummy.

  7. Oct 11, 2010 · Schuhpalast Pinkus was co-written with fellow actors Hanns Kräly and Erich Schönfelder. Kräly would continue to write for Lubitsch in Hollywood up till the end of the silent era and Schönfelder became a director, combining this with acting until his death in Germany in the early 1930s.