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  1. Oct 7, 2024 · Can (stylized in all caps) were a German experimental rock band formed in Cologne in 1968 by Holger Czukay (bass, tape editing), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums).

  2. 5 hours ago · Can’s early retro compilation, 1976’s Unlimited Edition, dusted down rare tracks from their first eight years. The Lost Tapes took this ethos to a new level, as Schmidt and son-in-law Jono Podmore sifted through archives containing 40 hours of unreleased film music, epic jams, early versions of songs and even toilet tapes, all recorded between 1968 and 1975.

  3. Sep 20, 2024 · He doesn’t just interview the members of notable bands like Can, Faust, Amon Düül II and others; he also talks to free jazz players Alexander Von Schlippenbach and Peter Brötzmann, who knew the rock artists and collaborated with them (Jaki Liebezeit was a free jazz player before joining Can) and were also part of the larger scene.

  4. 6 days ago · Liebezeit, formerly a jazz drummer, was one of the pioneers of the "motorik" style of drumming. Motorik literally means "motor skill" and always has a 4/4 beat. The motorik pattern is primal and repetitive in its base structure, but each bar generally incorporates variations.

  5. Sep 22, 2024 · He doesn’t just interview the members of notable bands like Can, Faust, Amon Düül II and others; he also talks to free jazz players Alexander Von Schlippenbach and Peter Brötzmann, who knew the rock artists and collaborated with them (Jaki Liebezeit was a free jazz player before joining Can) and were also part of the larger scene.

  6. www.forcedexposure.com › Labels › AKUPHONEAKUPHONE - Forced Exposure

    Sep 21, 2024 · Lyrical, within a sound full of contrast and ornamentation, they pursue an expansion of their repertoire with imaginative interpretation and improvisation. Includes printed inner sleeve and download code; edition of 300.

  7. Oct 3, 2024 · 180 gram LP version with free download code. Bureau B presents a new album by Germany's legendary Kreidler . "A simple plan: five days recording, three days mixing.

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