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  1. 5 days ago · Into the Woods is a 2014 American musical fantasy film directed by Rob Marshall, with a screenplay by James Lapine based on his and Stephen Sondheim 's 1987 Broadway musical of the same name. Produced by Walt Disney Pictures, it features an ensemble cast that includes Meryl Streep, Emily Blunt, James Corden, Anna Kendrick, Chris Pine, Tracey ...

  2. Oct 1, 2024 · While it may be bogged down with an unfathomable amount of terrible sequels today, back in 2003, Wrong Turn was a shocking, terrifying, tense, and wonderful horror film about the dangers of venturing out into the woods, and the horrors that lie just beyond our reach. A terrifying game of cat and mouse, the film is a standout in the camping horror subgenre and a film that will send shivers down ...

  3. 7 hours ago · But if, given our current geopolitical reality, you imagine a cross between cabin-in-the-woods horror and a high school soap opera, then the deliciously absurd and Buñuelian “Rumours,” co ...

  4. 6 days ago · For the 2014 movie adaptation of Into the Woods, Sondheim wrote the new song "She'll Be Back" for the character of The Witch (played by Meryl Streep), which was eventually cut. Sondheim made a posthumous cameo appearance as himself in the 2022 Netflix film Glass Onion: A Knives Out Mystery .

  5. Oct 8, 2024 · But the fantastical nature of Disney’s Into the Woods leads to a visual spectacle, and the cast—including James Corden, Emily Blunt, Meryl Streep, Johnny Depp, Anna Kendrick—does a fine job ...

  6. Oct 9, 2024 · Into the Woods is 44006 on the JustWatch Daily Streaming Charts today. The movie has moved up the charts by 7102 places since yesterday. In the United States, it is currently more popular than I Am Zozo but less popular than Üçlü Pürüz.

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  8. Oct 9, 2024 · A controversial yet undeniably compelling exploitation film, this movie delves into themes of revenge and retribution after a brutal assault in rural America. Set against lush woodlands, it creates an unsettling contrast between nature's beauty and mankind's capacity for cruelty—a dichotomy which only heightens its impact on viewers.