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Sep 23, 2024 · John Landis has a storied if inconsistent filmography but there is no denying the man is an original, an auteur. He has a unique sensibility and, when left to do what he did best, produced cinema gold. His Werewolf flick in sheer concept was something studios did not get, because no one could see the final work through his lens. He wrote it ...
- Christopher Symonds
Oct 5, 2024 · John Landis' Highest Grossing Movies: Amount Grossed Worldwide: Coming To America (1998) $289 million. National Lampoon's Animal House (1978) $142 million. Beverley Hills Cop III (1994) $120 million. Trading Places (1983) $90 million. An American Werewolf In London (1981) $62 million. Spies Like Us (1985) $60 million. The Blues Brothers (1980 ...
- John Landis
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- John Belushi
Sep 21, 2024 · It’s also notable as Max Landis’ first writing credit, working with his father to create this attempt at a horror/comedy mashup that John had pulled off so well with An American Werewolf in London. It’s not nearly at that level, and it has massive tonal shift problems, but it’s definitely better than Susan’s Plan.
Oct 6, 2024 · John Landis’ 1981 comedy horror An American Werewolf in London is a certified cult classic and considered by many as among the greatest werewolf movies ever made. The film was a critical and ...
Oct 8, 2024 · As a result, London gets a new werewolf and a slew of lost souls that follow the attacks. John Landis wrote and directed the movie that stars actors like David Naughton (David), Jenny Agutter ...
Sep 26, 2024 · However, that being said, Landis, I think, shows his limitations. I really felt like with An American Werewolf in London that he was showing signs of growing stylistically, but there’s something off about the visuals here. There’s a moment when the amigos collect their costumes from the Hollywood storeroom, and everything, even in the dark ...
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Sep 22, 2024 · It is an interesting look at an underserved bit of history. It’s well acted and looks really good, probably the best looking movie Landis had made since An American Werewolf in London, so every credit to his cinematographer, John Mathieson. Also, stay through the credits. They’re worth it. Rating: 2.5/4 . Originally published here.
