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2 days ago · Samuel Taylor Coleridge ( / ˈkoʊlərɪdʒ / KOH-lə-rij; [1] 21 October 1772 – 25 July 1834) was an English poet, literary critic, philosopher, and theologian who was a founder of the Romantic Movement in England and a member of the Lake Poets with his friend William Wordsworth. He also shared volumes and collaborated with Charles Lamb ...
Jul 21, 2024 · Samuel Taylor Coleridge (born October 21, 1772, Ottery St. Mary, Devonshire, England—died July 25, 1834, Highgate, near London) was an English lyrical poet, critic, and philosopher. His Lyrical Ballads, written with William Wordsworth, heralded the English Romantic movement , and his Biographia Literaria (1817) is the most significant work of general literary criticism produced in the ...
4 days ago · Samuel Taylor Coleridge, “On the Slave Trade,” The Watchman in The Collected Works of Samuel Taylor Coleridge, ed. Lewis Patton (London: Routledge & Kegan Paul Ltd., 1970), II, 130. “On the ...
Jul 21, 2024 · Samuel Taylor Coleridge - Poet, Philosopher, Critic: Early in 1798 Coleridge had again found himself preoccupied with political issues. The French Revolutionary government had suppressed the states of the Swiss Confederation, and Coleridge expressed his bitterness at this betrayal of the principles of the Revolution in a poem entitled “France: An Ode.”
Jul 26, 2024 · The Rime of the Ancient Mariner, poem in seven parts by Samuel Taylor Coleridge that first appeared in Lyrical Ballads, published collaboratively by Coleridge and William Wordsworth in 1798. The title character detains one of three young men on their way to a wedding feast and mesmerizes him with the story of his youthful experience at sea ...
5 days ago · Samuel Taylor Coleridge (1772 – 1834) The Rime of the Ancient Mariner (originally titled The Rime of the Ancyent Marinere) was first published in 1798 in a collection of poetry called Lyrical Ballads. Most of the poems in the collection were by William Wordsworth. Coleridge’s contribution consisted of just four.
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Jul 22, 2024 · Famously, Coleridge-Taylor’s only opera, Thelma, op. 72, was believed to be lost until it was rediscovered in 2003. Eventually, as technology changed to make the printing of scores and parts easier and cheaper (along with the emergence of a more conservation-minded approach to composers’ autograph manuscripts), these performance sets left ...