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  1. Jul 19, 2024 · Paranoid Eyes is a song by the legendary rock band Pink Floyd, released in 1983 as part of their album, “The Final Cut.”. The song delves deep into the human experience, exploring themes of isolation, paranoia, and the struggles of the modern world. Through its haunting lyrics and melancholic melodies, Paranoid Eyes provides a poignant ...

  2. 2 days ago · Released: 13 June 1988. A Momentary Lapse of Reason is the thirteenth studio album by the English progressive rock band Pink Floyd, released in the UK on 7 September 1987 by EMI and the following day in the US on Columbia. It was recorded primarily on the converted houseboat Astoria, belonging to the guitarist, David Gilmour .

  3. 2 days ago · "Shine On You Crazy Diamond" is a nine-part Pink Floyd composition written by David Gilmour, Roger Waters, and Richard Wright, which was first performed on Pink Floyd's 1974 French tour and appeared in Pink Floyd's 1975 concept album Wish You Were Here.

  4. Jul 26, 2024 · Twelve years later, Pink Floyd released ‘The Final Cut’ in 1983, which opens with the harrowing track “Post War Dream.” The similar themes of the dark side of war would be enough to ...

  5. en.wikipedia.org › wiki › The_WallThe Wall - Wikipedia

    1 day ago · The Wall is the eleventh studio album by the English rock band Pink Floyd, released on 30 November 1979 by Harvest / EMI and Columbia / CBS Records. It is a rock opera which explores Pink, a jaded rock star, who constructs a psychological "wall" of social isolation. The Wall topped the US charts for 15 weeks and reached number three in the UK.

  6. Jul 14, 2024 · And while the idea of Pink Floyd getting away with an album of almost all instrumentals could work, only a handful of songs manage to stand out like ‘Anisina’. In fact, it’s strange to think that Gilmour approved of unearthing those jams since he had been so forthright about not including any filler material from The Wall to fill out The Final Cut back in the 1980s.

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  8. 4 days ago · Co-producer Bob Ezrin, brought into Pink Floyd’s camp to smooth the tension, spoke in the same book and discussed the song in more detail than Waters. He claimed Gilmour’s take was more “stripped-down and harder” than Waters, which he called “the grander technicolour, orchestral version”.

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