2020
Search results
1 day ago · The cinematography by Owen Roizman is also masterly, ... is a skill deserving of the Academy Award nomination Roizman received for his work on Network. ...
5 days ago · To shoot Pelham, Sargent turned to cinematographer Owen Roizman, who was best known for shooting The French Connection and The Exorcist for director William Friedkin. In planning out the film’s ...
3 days ago · Daniel Pearl, ASC (Portrait by Owen Roizman, ASC) “We have the prop head already skewered over the probe lens and attached to the camera body so that when we start the move, the head is already over on the lens,” Pearl explains.
Jul 15, 2024 · The movie’s cinematography was handled by Owen Roizman. Roizman’s mastery behind the camera contributes to the film’s overall visual appeal and atmospheric quality. “Three Days of the Condor” highlights the importance of trust and betrayal. It explores the fragile nature of relationships and the devastating consequences of deception.
3 days ago · Budget. $3.8 million [2] The Taking of Pelham One Two Three (also known as The Taking of Pelham 1 2 3) is a 1974 American crime drama film [1] directed by Joseph Sargent, produced by Gabriel Katzka and Edgar J. Scherick, and starring Walter Matthau, Robert Shaw, Martin Balsam, and Héctor Elizondo. [3] Peter Stone adapted the screenplay [3 ...
1 day ago · The Exorcist is a 1973 American supernatural horror film directed by William Friedkin from a screenplay by William Peter Blatty, based on his 1971 novel.The film stars Ellen Burstyn, Max von Sydow, Jason Miller, and Linda Blair, and follows the demonic possession of a young girl and her mother's attempt to rescue her through an exorcism by two Catholic priests.
Jul 29, 2024 · By chance, Perry knew Owen Roizman, the Director of Photography on that film. From a research point of view, “The biggest thing I looked at were the shots from The Exorcist and tried to take them into consideration,” says Perry. For The Exorcism, Perry continues, “Demonic possession had almost nothing to do with my design decisions. There ...
