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Jan 2, 2023 · Best Sound Editing Oscar. 6. The Hurt Locker (2010 Oscars) The Hurt Locker sound clip. Paul N. J. Ottosson and his sound team captured a ton of the disturbing and dismaying sounds on location, making the soundscape of The Hurt Locker very real and raw.
Jan 2, 2022 · Simple editing executed perfectly. Jaws is the final Steven Spielberg film on our list to win the Best Film Editing Oscar, but, this time, Verna Fields was the editor at the helm. The editing for Jaws became far more complicated during shooting than was expected during pre-production.
Best Sound. Jaws. Robert Hoyt, Roger Heman, Earl Madery and John Carter. Bite the Bullet. Arthur Piantadosi, Les Fresholtz, Richard Tyler and Al Overton Jr. Funny Lady. Richard Portman, Don MacDougall, Curly Thirlwell and Jack Solomon. The Hindenburg. Leonard Peterson, John A. Bolger Jr., John L. Mack and Don Sharpless.
Daniel Mandell won for The Pride of the Yankees (1942), The Best Years of Our Lives (1946), and The Apartment (1960). Michael Kahn won for Raiders of the Lost Ark (1981), Schindler's List (1993), and Saving Private Ryan (1998). Thelma Schoonmaker won for Raging Bull (1980), The Aviator (2004), and The Departed (2006).
The Sound Department of the Academy, until 2006, uses a "bake-off" of the best films from the preceding year to choose the films to be referred to the full academy, for nomination to this award. This rule was altered on June 30, 2006, the bake-off for the sound branch was abolished and the customary method of a "preferential ballot" submission was started.
Apr 14, 2020 · Martín Hernández. Amazon. Posted in 2016 Awards, Academy Awards, All Movie Awards, Film Awards, Film Awards By Year, Sound Editing. Prev 2010 LAFCA Award – Film of the Decade Winner and Nominees. Next 2013 Sundance Film Festival – Short Film Grand Jury Prize – Best Short Film Winner and Nominees.
Jan 2, 2023 · Sound Mixing Oscar. 16. The Bourne Ultimatum (2007) The Bourne Ultimatum - Bourne Evades Police Scene. The third movie in the Bourne film series, was mixed in Gary Summers, David Parker, Scott Milan, and Bob Beemer’s dub stage. The sound team for this film included Parker, Milan, and Kirk Francis, and they nailed it.
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