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  1. Leo McCarey Quick Shop Make Way for Tomorrow Leo McCarey Quick Shop Watch & shop. DEVO: Gerald Casale and Mark Mothersbaugh’s Closet Picks. Watch & shop.

  2. Aug 14, 2023 · Irene Dunne is perhaps the greatest example of a Leo McCarey lead – Dunne, one of the more modern actresses of her day – her wit quick, her tone even-keeled. She acted with her eyes. A McCarey picture sticks with the characters and lets their eyes – and the heart seen through their eyes – tell the story.

  3. Taking the $5,000 he collected in damages, he invested in a copper mine that went bust. After graduating, McCarey worked in a law firm in San Francisco and then opened his own short-lived practice in his hometown. With the failure of his law practice, Leo McCarey turned to vaudeville, writing sketches and songs but that too proved futile.

  4. Leo McCarey, who had left the Hal Roach Studio in 1929 to become a freelance director, made films for several independents including Joseph Schenck (Indiscreet, 1931) and Sam Goldwyn (The Kid From Spain, 1932). McCarey hit pay dirt at Paramount directing the Marx Brothers in Duck Soup (1933), and at Columbia with the blockbuster The Awful Truth ...

  5. Thomas Leo McCarey (October 3, 1898 – July 5, 1969) was an American film director, screenwriter and producer. During his lifetime he was involved in nearly 200 movies, especially comedies. French director Jean Renoir once said that "Leo McCarey understood people better than any other Hollywood director."

  6. Make Way for Tomorrow, by Leo McCarey, is one of the great unsung Hollywood masterpieces, an enormously moving Depression-era depiction of the frustrations of family, aging, and the generation gap. Beulah Bondi and Victor Moore headline a cast of incomparable character actors, starring as an elderly couple who must move in with their grown children after the bank takes their home, yet end up ...

  7. Thomas Leo McCarey was born on October 3, 1898, in Los Angeles, California. He graduated from the University of Southern California law school and practiced briefly before he broke into films in 1918 as an assistant to director Tod Browning.