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1. scrapsfromtheloft.com › mean-streets-pauline-kaelMean Streets: Everyday Inferno – Review by Pauline Kael

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   Jan 11, 2018 · by Pauline Kael. Martin Scorsese’s Mean Streets is a true original of our period, a triumph of personal filmmaking. It has its own hallucinatory look; the characters live in the darkness of bars, with lighting and color just this side of lurid. It has its own unsettling, episodic rhythm and a high-charged emotional range that is dizzyingly ...

2. hu.wikipedia.org › wiki › Pauline_KaelPauline Kael – Wikipédia

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   A Wikimédia Commons tartalmaz Pauline Kael témájú médiaállományokat. Pauline Kael ( IPA: keɪl; Petaluma, 1919. június 19. - Great Barrington, 2001. szeptember 3.) amerikai filmkritikus volt, aki a The New Yorker magazin egyik írója volt 1968-tól 1991-ig. Leginkább "szellemes és komoly" kritikáiról volt ismert. [8]

3. www.newyorker.com › magazine › 2011/10/24What She Said | The New Yorker

   www.newyorker.com › magazine › 2011/10/24

   Oct 17, 2011 · In the fall of 1965, a season that brought movies as distinct as “Alphaville” and “Thunderball” to the screen, Pauline Kael came to dinner at Sidney Lumet’s apartment, in New York.

4. www.theguardian.com › film › 2023Quentin Tarantino’s next film is about a film critic. Should ...

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   Mar 16, 2023 · The director’s last film is rumoured to centre on the life of New Yorker film writer Pauline Kael – if true, her 1970s face-off with Warren Beatty would make a thrilling plot line

5. www.newyorker.com › magazine › 1982/07/12Baby, the Rain Must Fall | The New Yorker

   www.newyorker.com › magazine › 1982/07/12

   Jul 4, 1982 · Pauline Kael reviews the sci-fi thriller “Blade Runner,” directed by Ridley Scott and starring Harrison Ford, and loosely based on Philip K. Dick’s novel “Do Androids Dream of Electric ...

6. paulinekaelmovie.comWhat She Said: The Art of Pauline Kael

   paulinekaelmovie.com

   Aug 26, 2020 · Documentary on mid-century film critic Pauline Kael, “What She Said: The Art Of Pauline Kael,” accompanied by seven of her favorites, including five on 35mm: Robert Altman’s essential “McCabe & Mrs. Miller,” Renoir’s “The River,” “Bonnie and Clyde,” Scorsese’s “Mean Streets,” De Palma’s “Casualties of War,” as well as Bertolucci’s “Last Tango in Paris ...

7. alexsheremet.com › pauline-kael-one-films-worstPauline Kael: one of film’s worst and most ridiculous critics.

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   Critic #3: Pauline Kael. …If the above three critics are Woody champions, the next three can be thought of as his chief detractors. The first and by far the most influential is Pauline Kael, who, at her peak, was the top film critic at The New Yorker from 1968 to 1991, and a well-known writer even before this.